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Not every managing director is perfect . Even the best managing director have directed some movies that audiences did n’t have it off so much . Francis Ford Coppola ca n’t makeThe Godfatherevery clock time , nor can Martin Scorsese direct picture as good asGoodfellasevery clock time .
Making a moving picture is difficult and it is a will to these director that they have managed to make as many caliber films as they have . While these theater director have howling data track track record , some of their flick are not considered to be as practiced as others . In some cases , bang-up directors are even capable of films that are outright terrible .
Quentin Tarantino — Death Proof (7.0)
Tarantino has only directed ten movies so far , but each one has been so top - pass that a 7 is his down in the mouth IMDb score . Death Proofhas the panel that Tarantino is famous for , however , it does n’t have the script . Pulp FictionandInglorious Basterdsare both bloody movies that also have witty and sharp scripts to match with . Death Proofwas a part ofGrindhouse , so it was more focused on the fierceness than it was on the story .
Kurt Russell is a majuscule villain as Stuntman Mike , butDeath Proofstill stop up being the most forgettable of Tarantino ’s directing portfolio .
Robert Zemeckis — Welcome To Marwen (6.2)
Welcome to Marwendoes have telling stop - motion vivification sequences when the dolls do to life , as well as a dandy performance from Steve Carell in the lead role , but it still does n’t finish the movie from overstay its welcome .
Martin Scorsese — Boxcar Bertha (6.0)
Scorsese ’s second lineament film was n’t received as well as his first . Boxcar Berthahas been largely forgotten when discussing Scorsese films as it ishis worst - critique movie . It is a violent movie , but the furiousness is more distressing than it is exciting .
The tarradiddle play along a yoke who are on the running play after Bertha is a suspect in a execution sheath . Scorsese is infamous for point some fantastic mobster motion-picture show , butBoxcar Berthais not see to be one of his best sweat . Boxcar Berthawas produced by Roger Corman , so Scorsese may not have had as much freedom as he does now to perform his vision .
Steven Spielberg — 1941 (5.8)
1941is Spielberg ’s effort at a war natural process - drollery , but it had mixed results . A warfare flick that re - teamed Dan Aykroyd and John Belushi afterThe Blues Brothers , it was a confusing choice for audiences and critic likewise . Much of the humor of the film fall flat , which did n’t countenance this hodge - podge of ideas to fully come together .
Belushi and Aykroyd are both hilarious actors , but their presence in a state of war film just seems out of property . as luck would have it , Spielberg would have much well effect with war movies afterward in his calling withSaving Private Ryan .
Stanley Kubrick — Fear And Desire (5.5)
Fear and Desireis Kubrick ’s first attempt at a lineament film , and it was a gutsy choice for a first - fourth dimension director to start out with a war celluloid . While Kubrick would go on to directclassic state of war filmssuch asPaths of GloryandFull Metal Jacket , he did n’t quite nail it on his first try .
While it does n’t have terrible reviews , it did n’t have much of a answer with audiences as it was also a box office bust . Fear and Desireremains a forget movie in the highly - coveted catalogue of movies directed by Kubrick .
Ron Howard — The Dilemma (5.3)
Similar toHow the Grinch Stole Christmas , The Dilemmais an odd movie in Ron Howard ’s portfolio . The film is a romanticist comedy star Vince Vaughn and Kevin James , where Vaughn grab James ' married woman cheating on him and has to settle whether he should severalise him or not . Reviews were hapless for this movie and audience did n’t answer well to it either .
The tale is filled with clichés and the comedy mostly falls monotonic . Vaughn and James are funny player , but this film just did n’t work for the most part . The Dilemmasounds more like anAdam Sandler moviethan a film from the manager ofA Beautiful Mind .
Ridley Scott — The Counselor (5.3)
The Counselorhas many ingredients that should have made something bang-up . It is an acute criminal offence thriller from Ridely Scott with an incredible mould admit Brad Pitt , Michael Fassbender , Javier Bardem , Penélope Cruz , and Cameron Diaz . However , whenThe Counselorwas unblock in 2013 , it was mostly rejected by both audience and critics .
Many come up the script to be very awkward , with an odd narrative and mess of unenviable dialogue that was severe for any of the worker to make employment . The script is one of the most of import piece of any picture , and even a skilled direct like Scott can only do so much with a blemished screenplay .
Clint Eastwood — The 15:17 To Paris (5.3)
Clint Eastwood has made plenty of movies that honour modern torpedo includingAmerican Sniperand , most late , Richard Jewell . The 15:17 to Parisportrayed three young Americans ' grand bit of frustrate a radical of terrorists who hijacked a caravan . Eastwood made the unique determination to let in the real - animation hero as the cast of the film , which did n’t exercise for many .
While it is a great mode to honor these heroes , they are not professional actor and that was obvious to viewers as many of their personal credit line deliveries came off lifeless and awkward . The film also has a higgledy-piggledy script that jump around between time a lot . It ’s a flick that miss sharpen , and while what it tried to do is applaudable , most people jump off off this train before it catch to its plosive speech sound .
Alfred Hitchcock — Juno And The Paycock (4.8)
Hitchcock is the master of suspense , but not every one of his picture show is a masterpiece . Juno and the Paycockis a comedy made by Hitchcock and there may be a reason why Hitchcock ’s most remembered films are not his comedy .
The film was released in 1930 and is one of Hitchcock ’s earliest feature . His front is not truly feel in this film , which may be because Hitchcock may not have master theclassic Hitchcock visionwhich filmmakers systematically revere to this day . Audiences and critics have forget about this rather lackluster comedy from the legendary director .
Francis Ford Coppola — Tonight For Sure (3.1)
It ’s concentrated to believe that the film director of theGodfathertrilogy would have a movie with this low of a score , but it is even harder to believe that Coppola directed a very grungy , very grownup drollery film in 1962 . WhileTonight For Surehas almost been neuralyzed from the creative thinker of the general public , it still appear in Coppola ’s filmography so it can not be ignored . base on the IMDb score forTonight For Sure , this is an pass that almost everyone refused .
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