Everyone thinks of Bram Stoker ’s Count Dracula when it come to hash out literary vampires . Although this famous author is responsible for bringing the aphrodisiacal undead man alive into the soda finish mainstream , he was only one of many to transcribe the ancient myth . Vampires are versatile characters , which is why both creators and audiences like them . They can be beautiful , frightful , severe , freehearted , or all of the above .

All of the writer and filmmakers that turn to vampires ' movies might have been urge by Bram Stoker ’s work , but it ’s by no agency the beginning and end of the writing style . Even   Bram Stoker ’s Dracula , one of the more pop illustration of a faithful version , makes unsounded change to the original story make the lineament more likeable . There are still several great films that have nothing to do with Count Dracula , Jonathan Harker , or even the omnipresent Van Helsing , for when film fans need a break from the mainstream myth .

Blade 2 (2002)

TheBladeseries is notedfor giving devotee the concept of a " dhampir , " or a half - lamia character , a unique concept that lore had only touched on antecedently in the vintage films and Stoker himself never talk over .

The second movie have even more creative with its depiction of lamia , cut into into their order as a complex bon ton , along with their dependable place in the food chain . The twist here is that the vampires are n’t needfully the villains , and depicting vampires as likable was another new theme at the time .

Thirst (2009)

Korean movies , in particular , those in the horrorand historical play class , have pull in ill fame on the international scene . alternatively of the usual figure   about   being bitten , the principal grapheme in this picture show is stricken with vampirism through a give way medical experimentation . He has to empty his previously peaceable , humble life story and learn to live with his " thirst . "

Instead of taking inspiration from Stoker , the script is an adaptation of the novelThérèse Raquinby Emile Zola , which is n’t about vampires specifically , but the flyblown and greedy appetence of humans , in cosmopolitan .

Only Lovers Left Alive (2014)

They ’ve been with us since the beginning , some of the legends say . That ’s what ’s paint a picture with this story of " Adam and Eve . " The two main characters have subsist for centuries and have a rather misanthropic take on the progression of human civilization . It change state out they are n’t so eminent and mighty after all when their relationship has to plow with that age - old trouble , difficult fellowship members .

Only Lovers Left Alivewas released in 2013 , and not only is it still beautiful to ascertain , but it ’s also aged well , balancing the angst of age with the difficulty of staying relevant . That might be what vampire movies are really about , anyway .

Ganja & Hess (1973)

It ’s just a everyday archeologic shaft for Dr. Hess Green until his manic assistant stab him with an ancient tongue , and he wakes up one dawn with an insatiable lust for human blood .

This is both an art picture and a repugnance movie , and the real consequence is whether a new relationship can survive the divine revelation of a coloured secret . There are two version ofGanja and Rudolf Hess : one that was edited for audience in theaters , and the original version that was shownat the Cannes Film Festival . One try out too arduous to be a campy revulsion pic , and it ’s not difficult to guess which .

The Addiction (1995)

Here ’s an case of a movie in which vampirism is used to symbolize another relevant and difficult societal payoff , in this cause , intravenous drug use . The main type is a grad bookman who majored in philosophy and is bitten by a lamia , turning her into one , and most of the film explores how she comes to terms with her new habituation .

The setting is New York , and the newly stick out vampire also has to navigate her way through the urban jungle of the large city , which is just as stark and terrifyingas any haunted castle .

Byzantium (2012)

Can you ever really escape the past , or for that matter , a hungry vampire?Byzantiumasks both interrogative when two mysterious women show up at a local resort in a sleepy coastal township . The championship is a reference to the name of the resort , but overall it appeal the idea of the lamia as an eternal creature .

The basic premise of this picture show was pep up by a short work that came from the same favorable contest that prompted Mary Shelley to writeFrankenstein . Another participant , John Polidori , compose a little story simply entitle " The Vampyre . " The chief lineament , Ruthven , was mock up after their common friend and fellow writer , Byron . There ’s a type in this pic with the same name , hint this moving-picture show was exalt by the lamia literature that pre - dated Stoker .

What We Do In The Shadows (2014)

This 2014 film resonated so well with audiences thatit prompted a tv set series . Taika Waititi write , directs , and stars in this offbeat face at the life of a modern lamia and it looks to answer some serious questions in a humorous way .

For example , if a lamia does n’t cast a reflection , how do they do their tomentum or attire for the cabaret ? If a lamia can only go to the bank during the Nox , how do they pay the tear ? Viewers can matter on some seemly comedy and activity watching immortal beings deal with the everyday mundane parts of life history .

Vampire’s Kiss (1988)

A cult classic that ’s alsopopular with Nicolas Cage fans , Vampire ’s Kissis an interesting mix of horror and comedy in a neat 1980s fourth dimension abridgement . The question in this story is more about whether or not Peter Loew is really turn into a lamia or if his condition is n’t really just the solution of another openhanded metropolis publication executive having a aflutter breakdown .

The way the film is shoot and how the architecture of Manhattan mime the high mountains and Gothic steeple of Transylvania is perhaps another   part of Peter ’s delusions . Assuming , of trend , that they are delusions .

Vampires (1998)

John Carpenter is one of the most iconic directors of the late 20th 100 . His films are a unique mixing of activity , adventure , and horror , andVampiresis one of the lesser - known offerings , lost in the uneasiness of late 1990s vampire pic . It ’s an interesting story about retribution and an ancient artifact that harkens back to the serious one-time twenty-four hours of teras slaying .

The leading man , Jack Crow , is the drawing card of a team that rides a mean desert cleaver and kicks vampire ass . So   naturally , the Vatican turns to him for assistance when they need him to regain an ancient artefact , or at least keep the vampire from getting to it first .   Jack is n’t an light guy to like and bears an uncomfortable resemblanceto the real - life James Woods , but it is fun to follow him go on a bloody rampage .

From Dusk Till Dawn (1996)

Quentin Tarantino put together so many of his favorite things in this movie , it ’s no marvel it ’s great playfulness to determine . The storyline is every bit as sordid and insane asa Tarantino buff would expect , telling the tarradiddle of two bank robbers and their cowering hostages that blunder into a nest of bloodsucking undead .

lend other boastful - name whizz , like Selma Hayek and George Clooney , into the mix and you ’ve beat an iconic motion picture . Plus , it has vampires .

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Kaitlyn Santa Juana in Final Destination Bloodlines Interview header

title image vampire movies not inspired by Bram Stoker

Blade 2

thirst movie Cropped

Tom Hiddleston embraces Tilda Swinton in ‘Only Lovers Left Alive’

Ganja and Hess Duane Jones and Marlene Clark

UNDERRATED VAMPIRE FILMS - The Addiction

Byzantium

Nandor Flying What We Do In The Shadows

Vampire’s Kiss

The hunters in Vampires (1998)

Vampires in From Dusk Till Dawn

Movies

What We Do in the Shadows