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Universal Studios classic 1941 horror filmThe Wolf Manushered in Hollywood ’s fascination with the werewolf movie . loup-garou repugnance became a mending of horror , recharge in 1981 ’s with the one / two punch ofThe HowlingandAn American Werewolf in London . Both films puta humorous forward-looking spin on the werewolf filmand relegate raw soil with province of the art make-up effects . Werewolf picture would never be the same .
Over the ten , many wolfman films have spawned fromThe Wolf Man . Some were hitting , some fly under the radio detection and ranging , but all pay homage to the Universal classic that started it all .
Silver Bullet (1985)
Silver Bulletwas Stephen King ’s ego - indite adaptation of his own wolfman story . The film stars Corey Haim as a young paraplegic who fear that a local priest is really a werewolf who is responsible for murders in his little township . Gary Busey is his salutary ole ' boy uncle and genre preferent Everett McGill is the priest .
The film is anentertaining King adaptationwith a smart screenplay and sound theatrical role . Although the werewolf is n’t as scary as it should have been , the film works and finds some good scare within some tense consequence .
The Beast Must Die (1974)
In the unique horror filmThe Beast Must Die , one of the most underrated werewolf films ever made , a group of eight people is invited as client for a weekend dinner party at an erstwhile English mansion . The reason for the dinner party ? One of them is a werewolf and they must reveal who it is to stop the killings .
Peter Cushing and Calvin Lockhart head a secret plan cast in a film that is both lycanthrope horror and Agatha Christie - eccentric slaying mystery . The film is fun and horrendous in adequate bill .
Werewolf Of London (1935)
A horror film that was in front of its time , 1935’sWerewolf of Londonstars Henry Hull as a phytologist who becomes a homicidal werewolf . As he assay to find a potion that will bring around him , the killings start to overpower his conscience .
Full of extremely creepy-crawly aura , fantabulous composition effect , and neat performances , this is a well made and undersung authoritative wolfman photographic film . This was the inspiration for Warren Zevon ’s hit 1970s song " Werewolves of London " .
Wolf (1994)
The conductor ofThe GraduateandSilkwoodmay not have been the obvious choice to helm a horror film but the director scored a unique gem with 1994’sWolf . Nichols used the story of a publisher who is bite by a werewolf to typify the cutthroat " dog eat dog ) world of bragging line of work .
Jack Nicholson asterisk as the doomed publishing house while Michelle Pfieffer is a love interest and James Spader is a workplace challenger who stop at nothing to fight back against Nicholson ’s character . The film has sinister humor , potent horror , great composition design , anda sport and dedicated performance from Jack Nicholson .
Frankenstein Meets The Wolf Man (1943)
Lon Chaney Jr. reprise his legendary role of The Wolf Man for 1943’sFrankenstein meet The Wolf Man , an exciting giant mashup between two of Universal ’s biggest animal . A mad Dr. help Chaney Jr. ’s Lawrence Talbot happen a therapeutic for his lycanthropy while secretly resurrecting Frankenstein ’s monster . Bela Lugosi play the monster and had dialog but those tantrum were issue from the film which lessened his covert time .
The pic is great merriment and hasthe authoritative Universal teras tone . The sets are classical horror film designs and the operation are groovy . The history holds enough weight to leave the screenplay ’s creepiness to shine through . This was the first time that two Universal freak shared the screen door in the same flick .
Curse Of The Werewolf (1961)
Hammer Studios had outstanding success with their updates of classic goliath films . Their Peter Cushing / Christopher Lee pairings made flick such asHorror of Dracula , The Curse of Frankenstein , andThe Mummybig shoot with horror fans around the world . By 1961 , the studio apartment made its first werewolf film , Curse of the Werewolf , one of the studio ’s most undervalued efforts . Oliver Reed is an 18th century Spaniard who becomes a wolfman .
While not as scary as other werewolf films of its character , the cinema is effective due to its commitment to old - style horror techniques and state of the art werewolf composition . Director Terence Fisher makes the film a class act through gorgeous set design and graceful camerawork .
Trick R Treat (2007)
While not a full werewolf picture show , Mike Dougherty’smodern Halloween classicTrick universal gas constant Treatweaves together five tales that all connect in various ways . One tale involves Anna Paquin and her ally who are planning a particular company on Halloween Nox ; they are all celebrating Paquin ’s first time reverse into a loup-garou and feast on her first dupe .
The film has fun with its werewolves . They are all young woman who like to party and the screenplay playfully uses their dialogue to trick the audience into thinking that Paquin is planning to lose her virginity . A fun Halloween time of year film all around , the werewolf section ’s enjoyment of werewolf lore and creature figure pays court to Universal ’s Wolf Man .
House Of Frankenstein (1944)
For 1944’sHouse of Frankenstein , all of Universal ’s biggies come together on the big screen to terrify audiences . The film is the story of a insane scientist who resurrect The Wolf Man , Frankenstein ’s goliath , and Dracula to seek retaliation on his enemies .
This motion-picture show was a big strike and receive majuscule observance from critics . Everything here seemed to catch fire , as the movie was a spooky , exciting , andwildly entertaining horror classic that is considered one of the unspoilt from its era .
The Howling (1981)
Joe Dante’sThe Howlingwas one of two exigent definitive lycanthrope films from 1981 . Dante told his tale of a community of interests of lycanthrope who terrorise a tidings newsperson , play with gusto by Dee Wallace , with a dark sense of humor and an old - fashioned fashion that by choice referend 1941’sThe Wolf Manfrom scene to scene .
Rob Bottin create the groundbreaking shift effects that shocked audiences . The film is full - on repulsion entertainment with a twisted sense of humour and jolt of virginal revulsion .
An American Werewolf In London (1981)
John Landis’An American Werewolf In Londonwas released four months after Joe Dante’sThe Howlingbut this cinema was the one that pushed the bounds of the werewolf film even further . David Naughton and Griffin Dunne star as two college hands who are backpacking through England . On the moors , they are attacked by a werewolf . Dunne is killed and comes back to haunt Naughton to discourage him he will turn into a monster at the next full moon .
The book is fast and funny , accomplish in force frights while weaving in the clowning . Rick Baker did the FX makeup and the transformation panorama is done in full light so the audience date everything . Baker ’s gist were so extraordinary thatthe academy inaugurated the first makeup issue Oscar to give the artisan the laurels .
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