Related
It was a time of enlightenment , royalty , and rebirth . It was an age of corsets , collars , and Pantaloon , where some of the greatest thinkers and esthetic imaginations prospered . The Renaissance was a world - shift era for history , so it makes sense that this era would be visually explored through the mass medium of film .
From dark political thrillers to light and earnest costume dramas , the period is nothing but elastic when it come in to genre , and while it ’s not the most - explored context , there are more than a few Renaissance / Elizabethan motion picture to fulfill the armchair historians and drama club alumni out there .
The Other Boleyn Girl (2008) (6.7)
Royalty , love story , and ruthless deception , these are the catalysts that fuelThe Other Boleyn Girl . A highly - romanticized history of King Henry VIII , Anne Boleyn , and Mary Queen of Scots is the borderline unimaginative example of a costume dramatic event , but it ’s not without some serious virtue . It is very interesting to see gender role reversed as two woman fight down for the affections ( and the crown ) of one serviceman in this tale of seduction , treason , and sinister sibling rivalry .
Anonymous (2011) (6.9)
fan of the bard have all been play in this 2011 drama pertain the world ’s most famous writer . This film might have a 6.9 rating , but it is inhale by one of the most disgraceful confederacy theories concerning a historical chassis . Anonymousasks the question " Was Shakespeare a fraud ? "
What if the most beloved and beautiful plays and verse form were actually a mysterious quislingism between a kindling playwright and British royalty ?
The Merchant of Venice (2004) (7.0)
Speaking ofWilliam Shakespeare , the Renaissance musical style would n’t even exist without adaptations of his plays . While this picture show version of Shakespeare’sMerchant of Veniceonly sportswoman a 7.0 evaluation , it ’s two run talents are 10/10 in the kingdom of field . Jeremy Irons and Al Pacino star in this dramatic fib of greed , persecution , and pounds of flesh , and their performances drip with a warmth that Shakespeare himself could admire .
The Taming of the Shrew (1967) (7.1)
For those looking for something more lighthearted and comical , look no further thanTaming of the Shrew . Before it received the more modern and arguably more darling adaptation,10 Things I Hate About You , Elizabeth Taylor , Richard Burton , and Michael York starred in this colourful comedy .
Viewers will gasp with laugh as the Wily and bestial Pertrucio tames the shrewd and shrewish Kathrina , proving that while the playscript may be a few C onetime , the story is timeless .
Shakespeare in Love (1998) (7.1)
There are few films aboutShakespeare himselfas iconic and well - known asShakespeare in Love . In this fanciful chronicle of the conception of one of the author ’s most illustrious looseness , a struggling William Shakespeare falls for the endearing Viola de Lesseps and pursues her as his muse . With two patron impatiently waiting for his next maneuver , yet to be written , the writer finds stirring and more in his fresh romantic interest .
The Agony and the Ecstasy (1965) (7.2)
Stepping back from the Globe Theatre , the next pic takes viewer to the Sistine Chapel during the twist and creative activity of one of the most famous piece of art during the Renaissance .
The Agony and the Ecstacy isthe tumultuous report of Michaelangelo and Pope Julius II , two fiery personality who forge one of the greatest works of art ever conceived during the era . With Charlton Heston as the passionate artist and Rex Harrison as the strong - willed Bishop of Rome , the vigour between the two is absolutely astounding .
Elizabeth (7.4)
How could anyone speak about the Renaissance without mentioning one of it ’s most prominent figures , Queen Elizabeth I ? While most are familiar with the royal and regal effigy of the tabby with her neck ruff and frocks , Elizabethpulls back the mantle and shines a light on a younger poove as she make headway the stool amidst brewing unrest with France and Spain , as well as a extract of men in her life . utter for anyone want a political thriller .
Rosencrantz and Guildenstern are Dead (7.5)
Although the deed of conveyance might use Shakespeare ’s greatest play as its backdrop , this is unquestionably a farce comedy of both the bard and theatre in general .
fundamentally , the film is the narrative of Hamlet , but separate from the head of perspective of the venial characters , Rosencrantz and Guildenstern , and check through their eye as they attempt to salve their friend and keep from ( ineluctably ) lose their forefront in the process . A comedy of error if there ever was one , unquestionably a must - watch for dramaturgy - buffs everywhere .
Romeo and Juliet (1968) (7.6)
To say thatRomeo and Julietisn’t the most noted love life story ever put to report would be an outright lie . That being said , it ’s been done and redone so many time it ’s almost a platitude . While there are dozens to choose from , the 1968 classic still holds up as one of the most wild-eyed adaptations of the star - crossed buff of fair Verona . It ’s nothing innovational , but a Shakespeare - mollify comforter food of a flick that ’s idealistic for a duet ’s night in .
A Man for All Seasons (1966) (7.7)
Based on the award - winning play of the same name , A Man for All Seasonsconcerns the account of Sir Thomas More and his affair during the disgraceful divorcement of King Henry VIII . Those who are unfamiliar with the play will certainly know the host of natural endowment that brings this drama to life , including the likes of Paul Scofield , Orson Welles , and even an former projection screen visual aspect from John Hurt . It ’s a routine of an acquired tasting but will satisfy those wanting political drama , scandals , and treachery .
NEXT : Every Best Picture Winner of the 1960s , Ranked According to IMDb
