Reservoir Dogs

Quentin Tarantino ’s first movie , Reservoir Dogs , is one of the most timeless and acclaimed debut feature ever made . It help to revitalise American independent cinema in the former 1990s , and kicked off a hugely influential filmmaking career . Despite being the theatre director ’s first ever pic , bring about on a shoelace budget , Reservoir Dogsmanaged to round out the familiar Tarantino style from the offset .

From graphical violence to nonlinear storytelling to soundtrack acerate leaf - drops , Reservoir Dogsestablished many of Tarantino ’s directorial trademark decent out of the logic gate .

Nonlinear Narrative

Tarantino rarely tells his report in chronological order . Sometimes , it can be more interesting to bounce around the write up timeline . Reservoir Dogsopens before the heist , then jumps ahead to the backwash of the failed armed robbery .

After that , it goes back to explore the planning of the heist to show how an undercover cop superintend to infiltrate the gang before returning to the present for the blood - soaked fallout of finding out who the rat is .

Shocking Violence

Tarantino ’s movies are fix by their vehement depicted object , from an accidental gunshot to the face inPulp Fictionto a pedigree - drenched one - on-88 swordfight at the orgasm ofKill circular : bulk 1 .

audience got their first taste ofTarantino ’s stylised wildness inReservoir Dogs . Mr. White repeatedly kicks Mr. Pink before they both pull pistol on each other , magazines are emptied and gal of lineage is pour forth in a serial of gamey - octane police shootouts , and of course , in the film ’s most controversial succession , a police officer ’s ear is cut off with a straight razor .

Genre Archetypes Talk About Pop Culture

From the first scene ofReservoir Dogs , Tarantino define his take on genreby ground his archetypal character with a mundane discourse about pop culture . The movie open with the stealer discussing the signification of Madonna ’s “ Like a Virgin . ”

This monologue was the first of many pop finish computer address in Tarantino ’s films . It was followed by similar give-and-take about European McDonald ’s , the Delfonics , and the subtext ofKing Kong .

Going Undercover

Tarantino ’s stories often explore the link between go undercover and acting . InReservoir Dogs , Mr. Orange is told that an cloak-and-dagger cop needs to be “ Marlon f*****g Brando ” to convince criminals that he ’s one of them . The link between playact piece of work and clandestine oeuvre would later appear in a bunch of other Tarantino flick .

InPulp Fiction , Jules tells Vincent to “ get into character ” before a strike . InInglourious Basterds , Allied spies go cloak-and-dagger with a German movie star in a Nazi legal community . InDjango Unchained , Dr. Schultz tells Django , “ You ’re going to be playing a character reference , ” before they head up to the Candyland grove .

Soundtrack Juxtaposition

Tarantino is not only famous for including phonograph needle - drops on his soundtracks ; those needle - drops are often tonally at odds with what ’s on - screen door . The upbeat “ Nobody But Me ” by the Human Beinz plays over the encounter at the House of Blue Leaves inKill Bill : Volume 1 .

InReservoir Dogs , Stealers Wheel ’s breezy , lighthearted pop murder “ Stuck in the Middle with You ” plays over a grim twisting scene . After the shocking climactic shootout , the soothing go ofHarry Nilsson ’s novelty song “ Coconut”carry the audience into the conclusion credit .

Dancing

Despite how dark and wild Tarantino ’s film are , they also feature mickle of dancing . InReservoir Dogs , Mr. Blonde dances around the warehouse while he tortures a cop .

Tarantino went on to germinate a bunch more dance sequences : Vincent Vega and Mia Wallace take part in the Jack Rabbit Slim ’s dance contest inPulp Fiction , Simone dancing for Louis Gara inJackie Brown , and Arlene gives Stuntman Mike a circuit saltation inDeath Proof .

Killers In Black Suits

One of the most iconic aspects ofReservoir Dogsis the costume design . All the thief get into mordant courting to the diamond heist . This look became a defining visual trademark of Tarantino ’s motion picture .

InPulp Fiction , Jules and Vincent endure interchangeable opprobrious suits to deport out their hits . InKill Bill , the Crazy 88 ’s wore black suits when they confront the Bride in the House of Blue Leaves .

Trunk Shot

Whenever one of Tarantino ’s characters looks in the trunk of their car , he places the camera in the trunk , looking up at them . Reservoir Dogsestablishes this trope when Mr. Blonde takes Mr. White and Mr. Pink out to his car and pop start the trunk . Here , the trunk ’s P.O.V. is used to shroud the reveal of the kidnapped cop inside .

This was just the first of many tree trunk shots in Tarantino ’s films . He would go on to utilize this technique when Jules and Vincent take out their guns inPulp Fiction , when Ordell state Beaumont to get in the bole inJackie Brown , and when the Bride talks to a kidnapped Sofie Fatale at the end ofKill Bill : book 1 .

Borrowing From Other Movies

Quentin Tarantino ’s picture are fiercely original , but they ’re also pastiche of subsist movies . Reservoir Dogsestablished this court - repel styleright away . The story of a holdup conk out wrong is an court toThe Killing , while the conflict of an cloak-and-dagger cop among thief is taken fromCity on Fire .

The film ’s minimalist visual flair was charm by Jean - Pierre Melville , ear - sever as a means of torment is a nod toDjango , and the crimson Stealers Wheel singalong was inspired by the unnerving “ Singin ’ in the Rain ” scene fromA Clockwork Orange .

Armed Standoff

As Joe suspect Mr. Orange of being the undercover copper and Mr. White sticks up for him , Reservoir Dogsculminates in an armed standoff . This ended up becoming a recurring figure throughout Tarantino ’s next few movies .

There ’s an armed standoff in a diner at the end ofPulp Fiction , in a hotel room in the final flashback sequence ofKill Bill : Volume 2 , and in a cellar at the tail final stage of the “ Name Game ” scene inInglourious Basterds .

NEXT:10 Tarantino Trademarks In Pulp Fiction

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Split image of Quentin Tarantino in a diner and Michael Madsen and Harvey Keitel looking in a car in Reservoir Dogs

Mr White holding Mr Orange’s hand in Reservoir Dogs

Mr Pink shooting at the cops in Reservoir Dogs

The opening shot of Reservoir Dogs

Mr Orange shoots Mr Blonde in Reservoir Dogs

The opening credits of Reservoir Dogs

Mr Blonde tortures a cop in Reservoir Dogs

Mr. White points two guns at someone

The trunk shot in Reservoir Dogs

The climactic standoffs in Reservoir Dogs and City on Fire

Mr White and Mr Pink pointing guns at each other in Reservoir Dogs

Movies

Reservoir Dogs