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When thinking of repugnance films , one ’s mind usually conjures up a few dissimilar place setting . multitude think of the woods , as in theFriday the 13thfilm series . There are the haunted mansions of movie such asThe Haunting . Some masses even envision hotels , used so eerily inThe Shiningandseason 5 ofAmerican Horror Story . One coiffe that does n’t immediately jump to judgement is New York City .
When think of horror setting , the big urban center does n’t always play but there have been many great shuddery films of different types that have successfully induce chills from " The Big Apple . "
C.H.U.D. (1984)
There is something creeping around the sewers of New York City . At Nox , it comes to feed on the homeless . They are referred to as Cannibalistic Human Underground Dwellers or C.H.U.D.
1984’sC.H.U.D.is less tongue - in - cheek than its title suggests and is definitely one of the greatundervalued " Creature feature " . John Heard , Kim Greist , and Daniel Stern hit on to the existence of the title creatures . New York City is used to capital effect , as most of the film takes place at night and the darkened streets create an eerie vibe . Atmospherically speaking , with its dark and red vista of the New York streets , this film could be a proper companion spell to John Carpenter’sEscape From New York .
The Sentinel (1976)
In the first all - out horror film from the director of Charles Bronson’sDeath Wish , 1977’sThe Sentineltold the tale of a woman who moves into an NYC flat construction that houses a diabolic evil .
accommodate from the novel by Jeffery Konvitz , who created theundervalued Christmas horrortale , Silent Night Deadly Night , Michael Winner ’s New York set repulsion uses the horizon to good core . When the sunshine goes down , the metropolis lights no longer propose a safe haven for the inhabitants of the building . Now they defend the nighttime and the waking up of the evil that come with it .
Rosemary’s Baby (1968)
Roman Polanski enter himself into repulsion film account with his smash adaptation of Ira Levin ’s hit novelRosemary ’s Baby . Mia Farrow stars as a young female parent who moves with her married man ( John Cassavettes ) into a New York flat building that is dwell by a cult of devil believer .
The film received rave reviews and was among the biggest revulsion hit of its meter . Now widely regarded as a pure classic , Polanski ’s plastic film took the comfort of dwell in a chichi NYC apartment and turned it into a soul - endangering sand trap from which Rosemary could not escape . Producer Robert Evans tried to tempt Polanski back to direct a sequel but the director correct . The sequel was afterwards madeas a television motion picture but was not well - received .
Mimic (1997)
Guillermo del Toro made his American debut with the exciting Creature FeatureMimicstarring Mira Sorvino . The motion-picture show is about genetically make insects that set out to ruin the human universe of New York City .
The city had not looked that raunchy since the films of the early 1970s . Del Toro masterfully create an ill at ease feeling bring out through ranking legal design and darkly - hued cinematography from Dan Laustsen . A series of neat - to - videoMimicsequels followedwithout the approving of the filmmaker .
The Devil’s Advocate (1997)
Keanu Reeves does an ill-chosen accent but gives a secure functioning as a Southern attorney who consent a caper with a handsome New York City natural law firm . Al Pacino is his boss , who also happens to be The Devil .
The Devil ’s Advocatehas a silly premiss but director Taylor Hackford create macabre humour out of the story of a attorney who is caught in a demonic time - stadium who " betray his soul " for office . Al Pacino andKeanu Reeves run welloff of one another and a then little - experience actress namedCharlize Theronnearly steal the acting laurels as Reeves ' married woman .
Wait Until Dark (1967)
Audrey Hepburnstars as a blind woman being terrorized by three villains who believe there is heroin conceal in her flat . FormerJames Bondfilm director Terence Young create a New York City flat that was a safe haven for Hepburn ’s lonely , unreasoning woman but the sound of the streets would never amply restrained and made for an uneasy and out - of - reach safety for her character .
Wait Until Darkis consider one of the most frightening pic of the genre for its vivid use of diminished space and swarthiness and for possessing one of the most audience - scandalize jump - scares in celluloid account .
Maniac (1980)
Gritty , grungy , and wild , William Lustig ’s 1980 NYC - set horror filmManiacwas one of the great Grindhouse film of its decennium . Joe Spinell star as a demented orca who scalps women and employ their skins to make wigs for his mannequins .
One of the most disturbing of all ' fourscore slasher films , Lusitg used the dingy and sleazier parts of the urban center to formidable force . The violence and smuttiness of the streets and the film ’s sea wolf seem to find oneself a grisly symmetry .
Sisters (1972)
Brian De Palmabegan his cinematic court to Alfred Hitchcock withSisters , his 1972 repugnance film that centers on a author ( Margot Kidder ) hold up on New York ’s Staten Island who understand a murder in the apartment across the street . No one believes her and the film turns into a shocking tale of death and sibling rivalry .
NYC is used as a backcloth and most of the plastic film take place at heart but the New York attitude are ever present in the character and the stuffiness of the apartments is used to chilling effect by De Palma .
American Psycho (2000)
ground on the Bret Easton Ellis novel , Mary Harron’sAmerican Psychois a brutal and hilariously gruesome parable of the " out for pedigree " mental attitude of banking executives circa the eighties . Christian Bale does some of his hunky-dory work as Patrick Bateman , a homicidal maniac who loves the flush of the killing and count it as part of his hedonic lifestyle .
Harron entrance the NYC of the ' fourscore by film the skyscrapers as sharp , splinter blade cut down through the landscape painting and keeping the scenes inside Bateman ’s rest home in full light , as there is nowhere to hide from his blinking ferocity . Harron ’s film is widelyconsidered to be one of the best horror films of the 2000s .
The Seventh Victim (1943)
go down in Greenwich Village , The Seventh Victimfinds Kim Hunter look for her lose sister and expose a demonic cult . Produced by Val Lewton , the film check his signature overall mood .
Regarded as one of the good films about the terrors of Devil adoration , Lewton and director Robson turn the welcoming and aesthetic aura of Greenwich small town on its headspring , making it a most minatory and severe plaza . The celluloid live as a haunting and quite lyrical piece that is as much pure noir suspense as it is horror .
NEXT:5 Best Crime Films Set In L.A. ( & 5 Set In New York City )
