Related
admonition ! Major spoiler head forChainsaw ManandGoodbye , Eri !
Mangaka Tatsuki Fujimoto ’s new one - shot mangaGoodbye , Erican’t be any more unlike from his on-going and incredibly popularChainsaw Manseries . But there are many chilling parallel betweenGoodbye , Eri ’s two main case andChainsaw Man ’s Denji and Makima that suggests an underlining topic in both works .
Goodbye , Erifollows middle schooler Yuta Ito as he enchant death on camera and translate these experiences through celluloid . Yuta ’s journey eventually work him in contact with the one - shot ’s eponymous fictional character Eri , who tries to hone his foxiness . The coefficient of correlation betweenGoodbye , EriandChainsaw Manbecome straightaway apparent when Eri forces Yuta to find out unnumbered films with her , which mirrors whenChainsaw Man ( aka Denji ) is remove on a datethat consists of watching a string of successive films with the lovemaking of his life Makima .
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On the surface , both moments are on the face of it unobjectionable and actually touching , but the true intention of Makima and Eri contort each instance into something unrecognizable . That ’s because Makima and Eri are using Denji and Yuta severally for their own welfare . Makima reveals to Denji near the end of part I that everything she has done - include the movie day of the month - has been in service of the daimon Chainsaw Man , not him , . Her acts of benignity were just so she could more effectively tear him down so that the dead on target devil inside of him could wave . The news is so life - smashing thatDenji is force to embrace a rather disturbing deal mechanism . Meanwhile , in Fujimoto ’s raw one - shot , Eri actually engage with Yuta about his film with an ulterior motive . Her deception is peculiarly heart - wrenching because it puts Yuta in a brutally unfair position that requires him to relive a retiring trauma that obviously affected him deeply .
In what is now view a classic Fujimoto move , both tarradiddle show a stunning twist that adds another inauspicious layer to each experience . InChainsaw Man , Denji has no other choice but to stamp out his beloved Makima . While this is difficult , he eventually comes to price with his conclusion . However , he is later draw to confront what he think he had put behind him in a rather twisted turn of events . Because Makima was seemingly a dupe , Denji is required to reopen old wounding that put him in a view to strike in love once more and potentially get betrayed again , make Denji one of manga ’s most tortured zep . InGoodbye , Eri , Yuta get word that a terrible development he believes occurred decades ago - the prospect of which is why he has to relive retiring trauma - is actually a Trygve Lie . Like Makima , Eri ’s plight is much bad than he originally believed . She require what Yuta gives her not to ensure her legacy will be on , but so that her alone Hades will be more bearable . The last fit inGoodbye , Eri , assign world into question , causing readers to wonder whether the last panel serve as a figural reflection for how Yuta ended his first film or if it ’s his object lesson that represent one of the master subject of the one - pellet - how a filmmaker has the power to wring reality in how they choose to capture events .
Denji and Yuta do n’t leave these experiences empty - handed no matter of how they are manipulated . IntheChainsaw Manmanga , the moving picture Denji catch with Makima seem to justify his greatest fear that he lose his human heart , but he is able to commit in Makima who in turn help oneself him feel otherwise . Meanwhile , Eri literally saves Yuta ’s life history and helps him win over the the great unwashed who originally hurt him by mould Yuta into a better filmmaker . These examples fromChainsaw ManandGoodby , Eriprove the literary sensation of mangaka Tatsuki Fujimoto .
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