Bill and Ted Face the Music
Back in the former eighties , Ed Solomon and Chris Matheson were 20 - something screenwriters hoping to get their script about a pair of sentence - traveling teenagers turned into a feature picture . More than three decades later , Bill & Ted is a darling comedy trilogy , with the long - awaited last installment , Bill & Ted Face the Music , finally issue to glow reviews and strong VOD results .
Part of the magic ofBill & Ted front the Musicrests with the extend creative steering of the original writing team of Solomon and Matheson , who compose all three launching in the trilogy , as well as returning actors Alex Winter , Keanu Reeves , and William Sadler reprising their roles from anterior unveiling . Even 30 years on from their last adventure , Face the Music never loses sight of the adorable pureness of the serial and its fibre . Bill & Ted are loveable dorks who need nothing more than to " be excellent to each other and party on , fop ! " That positivistic message continues into the novel moving picture , which sees the eponymous brace go on one last adventure to join the reality through the righteous power of rock and cast music .
refer : William Sadler Interview : Bill & Ted Face The Music
While kick upstairs recent release ofBill & Ted face up the Music , Colorado - writer Ed Solomon spoke to Screen Rant about his piece of work on the motion-picture show and the long route they had to walk to make a movie of which they could be gallant . He talks about the difficultness of making a sequel with actors over the long time of 50 while the rest of Hollywood was more interested in a reboot starring unseasoned YouTube stars " new " Bill & Ted , and the stressful journey of raising the funds to make the motion picture . He also share his dissatisfaction towards the badly - flesh out animate and alive - activity television receiver adaptations of the franchise . Finally , he talk over the process of writing the breakout new fibre , Dennis Caleb McCoy .
I ’m still pinching myself that this movie exists at all , and particularly that it ’s so good .
Dude , I ca n’t tell you how much I appreciate that , thank you .
I did n’t see the first two movies until I was gamey schoolhouse . I intend a big thing about Bill & Ted is how the fandom has just continue to originate over the past three ten .
It ’s funny . When we first set out this , when Chris and I were throwing musical theme around , we did n’t think citizenry would even interpret the handwriting , let alone that it would set down somewhere , and let alone that people like you would witness it and bask it . It ’s the ground we fought so damn hard to get Face the Music made . It was really unvoiced to get it made . You bonk , once I realize that there were multitude who really like , I wanted to naughtily to have something for them that was suitable of their solitaire and affection . You never know how these affair will bring . You never fuck what people will cogitate . I was uneasy , hop it would ferment for people .
It totally go ! From the very beginning , theBill & Tedseries never behave even a drop of cynicism . It ’s so earnest and so … I do n’t know if it ’s the intended effect , but at the end , spoilers are on the table since the moving picture ’s been out for a little while , but I was crying like a baby during the carrying into action of the big song at the end !
I ’m glad ! That was the guileful thing in the whole flick to get right . Like , how do we make that reveal ? Well , let me require you a dubiousness , Zak : did you eff that was coming ?
I cognise they were going to have to pull something out of their hat , but I was n’t quite sure what it would be .
In term of the reveal , we were n’t cerebrate that it was going to be a gargantuan surprise for mass . That made it even more complicated to try and make it have excited mightiness . I attribute that to Dean Parisot and Don Zimmerman , the director and editor . They had to work and rework and rework that chronological succession to get it to be as cogent as they could . And we were hampered , unfortunately , as many other people were , by Covid . It made it so that a distich of scenes we had plan to shoot , we originally contrive … We wanted to cut the termination , the last 25 - minutes of the picture , and then see what direct re - shooting we might need . Well , I should n’t say reshooting , but " targeted additional footage " we might need .
And by " cut , " you think of assemble an edit , not remove from the film . Just get certain I ’m on the same page .
And we had written a few scenes on exercise set where the intention was , we do n’t cognise if we ’ll take them or not , but if we do , we ’ll make trusted we make unnecessary the money and clock time so we can go in and shoot some stuff . But we did n’t have the power to do that once the Covid situation hit . And our editing room got keep out down , and people were work remotely from their houses . We lost a lot of time and manpower in many lamentable style . But that was something I would really give the quotation to Dean and Don , and Don ’s son Dave , that edit squad .
It took years and old age to get this movie into ontogeny , and then in the house stint , Covid collision while you ’re still shoot . And now you ’re not vex the typical " victory lap " of crimson carpet premiere and party with the guys who hold hors d’oeuvres on the plates with toothpicks and stuff … With this current experience , how have you been able to discover out how people are respond to Face the Music ?
I move to the opening of the pic , kind of like a nucleotide base runner trying to slip dwelling house , praying , hoping I ’d get in under the tag , and make out we had a lot of eyes on us . I was really unsure as to whether we ’d hit our end , which was to make a picture show for ourselves that we were really gallant of , and that would ennoble the fans . That was the rationality we crusade so hard to get this thing made when it kept fall down apart . I mean , it was falling apart up until two workweek before we inject . We lose a mammoth part of our backing , and we had to fight like crazy to not shut out down . And the post - production process was slowed by such an extent that we were just … As opposed to being eat up four months ahead of time , we were finish a few week before we were free ! So we did n’t really hump what we had . We did n’t have the opportunity to do a series of test screenings . We did one test screening with an extremely rough cut to an hearing of people who did n’t acknowledge what they were going to see . It was n’t Bill & Ted fans . It was just random citizenry who did n’t have it away what the movie was . And we did notes based on that , but that was it . We could n’t do any more tests . We did n’t know what people would guess , we did n’t know what citizenry would take from it , and we did n’t know what critics would say . So often , critic are … I ’ll use the word " prideful , " regarding Bill & Ted . So I just did n’t love . That ’s a long - winded way of life of say we did n’t have time or the desire to do a victory overlap . For me , I just feel a rest that it landed okay , and a sense of pride knowing that while not everybody likes Bill & Ted movies , and it ’s never been the case that Bill & Ted has been universally loved ; it ’s polarized people , ordinarily ! There are people who jazz it a lot , and people who just ca n’t stand it and never will ! ( Laughs ) And if you do n’t care the other two movies , you ’re not go to like this one , I guarantee you ! That should be the one - sheet . I ’m gon na call MGM and enjoin them , " This is your unexampled slogan : If you hated Bill & Ted 1 and 2 , you ’re gon na really detest Bill & Ted 3 ! " That ’s what I think will trade the movie . No , they wo n’t want me to say that …
But that ’s so rock and paradiddle . Like , we have the people who do it this series , why would we do anything to push them away in favor of a dissimilar consultation , like , for their parents or whatever ?
Chris and I , the first affair we require to do , was telling a movie that ’s truthful to ourselves . mean it feel substantial and a innate extension . Like , where would Bill & Ted be right now ? How do we make certain we do n’t cover previous soil in a bad way ? We did n’t want to make a rehash . But at the same time , we wanted to honor the legacy of it in price of what hoi polloi might be expecting . So that was a middling tricky line to walk : how to make it emotionally true and make it fresh , and to make the fact that we ’re follow back 30 years afterward find meaningful as opposed to lame . For us , we make up one’s mind to not talk about what we think they would be ; allow ’s just see where we find they are .
Yeah , in - existence it ’s 25 years later , and there ’s a lot of way to come on that , and I ’m glad you pass away in that special direction .
Chris , myself , and Alex and Keanu were all on the same Thomas Nelson Page there . We also did n’t desire to preen them up like they were then , to just have older Alex and Keanu work like younger Bill & Ted , that felt gimpy . Then we got the whimsey of , " What if it never happened for them ? What if they ’re still skin to reckon it out ? What if that press that ’s put on them to meet some circumstances they were given when they were stripling , that they ’ve been scrape and clawing to examine to fulfill , what if that pressure sensation has weighed on them so heavily that they ’ve lost their all important , for lack of a batter Son , Bill-&-Ted - ness , quote unquote ? " And what if this movie is about receive that back ? And what if getting that back means pull in that their adolescent fantasy , which is to have a rock band that saves the world and they get princess babes , is just an adolescent phantasy ? As middle - aged adults , the most meaningful thing they can pull up stakes behind is the next propagation . They give the man to them and let them make the most of it . I often wonder if people who do n’t have kids can understand , in a deep way , when Bill & Ted realize what they realize at the end . That they ’ve been misadvise . I do n’t experience if people who do n’t have kids can translate that , I do n’t lie with .
I think I beget it , and I do n’t have tike !
Well , you do n’t have kids that you know about . There ’s that soul in Phoenix that I need to tell you about … You have a boy . He ’s seven . You ’re gon na come across him really presently , he ’s a endearing male child ! ( Laughs ) You owe a lot of back nipper funding , by the way . No , but the original idea , from the very first meeting we had at Alex ’s house back in 2008 , I think it was , between me , Chris , Keanu , and Alex … The original idea that Alex and Keanu trigger off to was , " What if this movie is about relieving the pressure they ’ve felt for not having survive up to what they thought they would be by the time they were this age ? " That was the moment where we all went , " Aha ! " That ’s what this picture show is . From there , Chris and I were asked by Alex and Keanu to fuddle some musical theme around and meet up again when we can , and advance it further . And then , once we knew that Alex and Keanu were actually undefended to it , Chris and I of a sudden went , " Holy s * * * , are we pop off to do another Bill & Ted movie ? " And , if we are , how do we ensure it ’s worthy of doing ?
Yeah , I ’m thinking about it right now , and guess about how much happier they are get two amazing daughters than they are with the idea of having to indite a song that ’s going to change the mankind . They clearly have a go at it their kids and their kids really love them back , it ’s apparently more important to them . It ’s almost like they ’re by save the world , in a mode .
There were a few things we were endeavor to avoid . One , that whatever the song is , it ’s not because of the timbre of the song that the world is united . We experience we could n’t set it up and go , " Here ’s the greatest song ever written , " and then have it in the movie and have the audience think it ’s the greatest Sung that ’s ever been written . That was a no - win . So we have a go at it we require to get ourselves out of that one . So it became not about the whim of the song itself , but the idea of flummox everyone to make for along . The other matter is , it ’s kind of a crowd - sourced song . It ’s not written by a single somebody . It ’s about listening to others and incorporating their points - of - perspective . It ’s about , at the oddment of the twenty-four hours , everybody play together . The other matter we wanted to obviate was " Bill & Ted are bad dads because they ’re focussed on their work . " That ’s not just a motion picture figure of speech and a banality , but it did n’t sense right to us . I think Bill & Ted have a outstanding family relationship with their daughter . They love and desire their girl , and their daughters have lovemaking and faith in their parents . That ’s not the crux of the drama .
There ’s none of that , " You do n’t get me , dad ! " that we ’ve visualise a million times before .
Yeah , on the nose . I like that the girl are different . I wish that they ’re aficionados . They ’re the same as Bill & Ted in that they incarnate a beneficent spirit and they live in that , and I also love that they respect everyone they do across , and they ’re very insulated in that they ’ve got each other , but probably not a whole band of other friends . But they ’re different in that they ’re brilliant . They have a deep well of noesis . They really look up to what came before them , and they honour that . They were fun to write once we figured that out about their characters . They became much more fun to write than when we were labour originally with young Bill & Ted being very much like Bill & Ted . It feel very old and moth-eaten .
It does n’t miss a measure in 30 years , but it also does n’t finger like a nostalgia gambol . That could have been cheap and easy , liken to what you actually did here .
When we were writing it , I did n’t go back and find out the original movies again . And I ’m glad I did n’t because they have a feeling that ’s very unique to them , but I think I would have been trying to copy it . I opine , not having watched them allow us to make the tone of this movie , for good or worse , singular to itself and unequalled to where we were in our life-time when we were write it , as play off to trying to mimic something that was of a different geological era and of a unlike part of their lifetime and a dissimilar part of our animation .
You say , back in 2008 was the first real progress on the movie . Before that , in the wake of Bogus Journey and the animate cartoon and lively - action prime - time version … Wait , did you work on that at all ?
GOD NO .
( Laughs )
Not even slightly .
Fair enough !
When we chance out they were drop dead to do a live - action TV show , I remember meet with someone , I do n’t remember the guy ’s name , but we were like , " Okay , this is what you do n’t want to do with a Bill & Ted TV show . " And he was like , " Wait , no , that ’s exactly what we want to do ! " And then we were like , " Okay , but you ’re not go to do this lame blah - blah - blah , right ? " And they were like , " No , that is what we should do ! " Anyway , they did not hire us . It was not even offered to us . They did n’t want us to have anything to do with either of the show . I did n’t see the cartoon or the bouncy - action show . I did n’t see either of them . You know , we did n’t work on it and I did n’t think it would be a pleasant experience for me to see , so I did n’t inconvenience . I have a hard enough time check stuff that I ’ve written that I like ! So watching something I did n’t write that ’s ground on something I really cared deeply about , that was not going to be a outstanding experience for me .
So , post - Bogus Journey , was there ever a thought to doing an quick Bill & Ted 3 ?
No . I do n’t think anybody think we ’d do another one . I do n’t think Bogus Journey did well enough . Excellent Adventure did barely well enough to warrant a sequel , and then Bogus Journey did n’t do well enough for us to do another motion picture . We think it was over . We were certain it was over after that , and Chris and I figured , hey , Bill & Ted is a manifestation of where we were as young adult writers , and that ’s okay . That ’s where they ’ll live . We both kind of moved on . It was n’t until airless to … I require to say the other 2000s , possibly 2003 or 2004 … Keanu and Alex both maintain getting asked if there was go to be another Bill & Ted picture . We started asking ourselves , " Is it possible ? " But fundamentally , Keanu would always brush it off . And Keanu ’s managing director at the prison term were adamant , you eff , " There will NEVER be another Bill & Ted ! " I retrieve fulfil with his manager , a hombre name Erwin Stoff , and I think sitting down … Oh , and here ’s why : there was an interview , maybe a crimson carpet somewhere , and somebody asked Keanu , " Would you ever be up for doing another Bill & Ted moving picture ? " And Keanu say something like , " I would n’t rule it out completely , " And Chris and I go , " hold off a second , did he just not completely fumble it off but actually affirm that it ’s not utterly unimaginable ? " So I met with Keanu ’s managing director , this guy Erwin , and I asked , " Do you intend this is something that ’s possible ? " And he just said , " reckon at me . say my lips . Keanu will never be Ted again . " And he fundamentally sound off me out of his government agency .
S * * * !
For descend to waste his clip on this ! So I think , " Oh well , I guess that ’s where we are , then . " Then , they kept getting question about it , and Keanu retain say it was n’t determinate . This led to a conversation in 2007 with Alex , where we were like , " Can we talk about it ? If we had an idea we all remember was beneficial , would it be worth it ? Can we do it justice ? " And we had dinner party , we had a BBQ at Alex ’s house in 2008 , the four of us , and that ’s where we threw these ideas around and started talking about it seriously . Keanu ’s posture , I really take him at that dinner . I remember say , " I had this meeting with one of your managers , " and Keanu has since fired the guy , and Keanu basically permit it be decipherable that if Keanu wants to do it , his managers are going to fall in line . They figure out for him , he does n’t make for them . It ’s not exactly what he said , but that was the logical implication . So I was like , " Alright , let ’s prove ! " I get it on he and Alex are both humans of their Bible , but my awe was , " Are we going to spend time working on this and fall in beloved with it , only to find that Keanu or Alex have changed their mind ? " But once they said , " We ’re in until we get it right , " They were in . They were incredible partners , creatively and in business . They really fend with us , they worked a lot with us , they solve on the original idea with us . Chris and I started indite it on specification , and they read drafts , gave us notes … They were partner the whole way through .
There was never the thought of doing " The Adventures of Bill & Jim , " or " The Adventures of Bob & Ted , " was there ?
Oh God , no ! No , no , no . It was only ever give-up the ghost to be the original Bill & Ted or nothing . And we wrote the specification book , and when we finally get down the guys behind it , and we did a twosome of rescript for them , and we brought it in very proudly to MGM , who own the rights . What we did was potentially a very stupid move , writing a spec script for characters you do n’t own . And we brought it into MGM , certain they ’d be thrilled , but rather , they were like , " We were going to do a Bill & Ted film . In fact , we already have a script save . It ’s young Bill & Ted , we ’re doing a reboot !
Ew , barf !
And we were like , wait , what ? I never read that playscript , and I ’m glad I did n’t . We were never go to do anything other than a film starring Alex and Keanu , period .
How did you stop them from doing their s****y reboot ? Or , like , their reboot that I ’m sure would have been okay or whatever ?
I did n’t read the script , so I ca n’t annotate on whether or not it was any expert or not , but … We stopped them by circumstances . I do n’t know . Somehow , they chose not to make the other one . When we were blab about whether or not there might be another movie after Bogus Journey , I intend , truthfully , one of the reasons we did n’t think so was because Bogus Journey did " ok , " but not big , as we were saying . But that those numbers do n’t reflect is that over the next 20 old age , people like yourself would set about to discover the films , and the audience would grow in a way of life that you ca n’t account for . Alex and Keanu , and myself and Chris , the four of us would hear , wherever we go , about people who were interested and need to see another movie . But it was only anecdotal , and we could n’t convince any money people . The people at MGM who had the rights , they retrieve , " Well , you get laid , we could bug out again with a young Bill & Ted , " and I was tell apart they time traveled with a cell phone and all the typical things that you would plainly do in an obvious manner to update it . I just am thankful they did n’t do it . If they had , our movie would have died .
Or something like take Bill & Ted show up for five - minute bookends .
Yeah . I can not tell you the amount of troll I would get from people who had n’t seen the movie and were win over that ’s all it was . They would get so mad . They were like , " Do n’t make it this Hollywood ' woke ' propaganda where it ’s miss and not son , and it ’s gon na be a total bait - and - switch where Alex and Keanu show up and then the whole movie is about the daughters ! " I was just like , " First of all , what ’s amiss with you that you think it ’s worse if their daughters are in it , what ’s your problem ?
Who spite you ?
Exactly ! " Who hurt you ? " Chris has say that ! " Who anguish you ? " Why do you wish ? And by the way , not only is there no Hollywood " schedule , " Hollywood does n’t even require to make this movie ! MGM turn it down , and they owned the rights . But they did give us permission to take it around town , which I really appreciated . It was a really near affair they did . They did n’t have to do that , but they did . And we ’re all super thankful that they did . But every studio pass on , multiple time . Nobody wanted to do it because of what I was saying about the number . The number just did n’t brook the idea of another moving-picture show . And we could n’t get anyone to finance it . We did have several studios who articulate , " If the rights to Bill & Ted are available , we ’d be glad to do a reboot with young Bill & Ted played by articulatio coxae YouTube stars . "
Ugh , no .
And we were like , " God , that is just not what we want to do . That is the opposite of what we ’re try on to do here ! " That took years . eld of try on and rewrite the script and trying again . It looked like we were going to get rig up at a studio called STX . They optioned it briefly , but then they dump it . Then it looked like we were going to arrange it up at Lionsgate , but that go down apart . It kept almost happen and then not happening . Finally , this guy , Alex Lebovici and his party , Hammerstone Studios … Alex had been a Bill & Ted fan . He ’s young , he ’s a millennian , but he had been a Bill & Ted fan , and he optioned it and fight like crazy to get funding . But it was very punishing to put it together , and it almost fell aside many time , and in fact it did devolve apart two weeks before we started shoot . There was just this jumbo scramble , and I really suppose , " Oh crap , this thing just is n’t become to happen , is it ? " But it did .
Geez , the movie immortal really care to rationalise it close …
We pull it together on a business organization floor . The money finally came through within a workweek of … We really sustain favorable . Everything leading up to production was about as stressful as anything I ’d ever been take with in my life . It was the most stressful thing I ’ve ever been involved with , up to production . But once Dean Parisot called action and it was all about the creative side of it , it was a joyousness . Working with the cast was a joyfulness , and the crew was a joy . Bizarrely , once we started roll out , we were shielded from the stresses and it became a set where you could play and have merriment . There was a lot of strong-arm pressure sensation to move quickly because we did n’t have much money , but Dean produce an environment that was good and protected , and we were capable to really have merriment on set . It was an incredible contrast to the unbelievable pressure we were feel when we were attempt to get the movie plant up and made , which was quite utmost .
That ’s an uphill rise , but I ’ve visualise the movie , and I ’m still in awe at how much joy it brought me .
Dude , I can not assure you how much I appreciate that . genuinely . Honestly , what you ’re saying is what have it worthwhile . Literally , you . People precisely like you . My fear was , I might rent masses like you down . And my great ease is that I did n’t . Certainly , there are people who will never like it , and that ’s to be expected , but I know … What befall to Bill & Ted , it started out as an adolescent lark design to make us express joy . It was indite in my early-20s . I was 23 when Chris and I came up with the characters . I ’m gon na be 60 in four days . It ’s spanned that much of my living . That ’s a very different and very profound thing for me , and I never expected Bill & Ted to be that . I opine it ’s probably the same for Alex , Keanu , and Chris .
I get to interview William Sadler , and he has such a deeply - rootle erotic love for his character , Death , the Grim Reaper . Did you have a contingency for what to do with the Inferno component of the motion picture , or did you always assume he ’d be 100 % biz to return ?
We never want to even give air to the idea that Billy would n’t be back . I intend , I guess , in any movie , there are so many moving function that you always have to have a contingency , but … We knew we wanted it to be Bill Sadler . We were babble with him , " Hey , we write a script , hey , we wrote the part for you , hey , we ca n’t waitress for you do it , hey , we hope the programming work out ! " So we never really wanted anyone other than Bill to do it . Once we were able to get it together , we make love he was in . There were some approximation if he was n’t go to be uncommitted , but none that we liked as much as receive him , of course of study , and we ’re glad he did it .
It was great to talk to him . There ’s a veridical love of him towards that character , and it shows on screen . He ’s clearly having a outstanding time .
One of the scenes with him was a belated rewrite . The idea that they had a falling out as a set , that they were n’t mouth to each other , that kind of came up the week before we embark on shoot . We retool it to be that . We want there to be more conflict there . We require it to be more of a challenge to get Death to link up with them . We rewrote the scene kind of last moment , but I ’m beaming we did . In the original scene , he was a minuscule bit more insecure and pathetic , it was a little one - Federal Reserve note . But then we said , " Let ’s make him an antagonist at this point , " and I think it was much more fun to save and it toy well for everybody .
Awesome . Okay , there ’s one more graphic symbol I need to need you about . America has fallen in love with Dennis Caleb McCoy .
He ’s such an absurd character , but he also feels , to me , like a fairly microcosm of the whole serial in that he ’s silly , but he palpate real and you bonk him .
Chris and I both knew we needed someone who was going to kill everybody . And we want it to be a comedic character . I do n’t think De Nomolos really solve in Bogus Journey because he was n’t really a risible construct . I do n’t think we get him right . And Death was so fun to write in Bogus Journey because he was perfectly arrogant and minatory , but at his essence , implausibly pure . For me and Chris , that ’s just so fun . It ’s so fun to write those kinds of character who are threatening and terrific , but when you blarney them a little bit , they ’re just blubbering balls of insecurity .
That ’s what it ’s like for most real - living wannabe elusive guys , correct ? Being tough and scary and macho and all that , it ’s all a facade .
For sure . For sure . dead . So in Face the Music , we already neutered Death as a threat , so that would n’t really work . So we were trying to think , " What would be fun to compose ? " Then we had a notion of a killer golem who was design to be kind of human , but he is n’t really completed . We initially had , in the view where we introduce the robot , we actually had a farseeing account , dialogue of " he ’s not quite quick , there was a bit of a malfunction , " " Oh , what do you mean ? " " He ’s just a little morsel … Neurotic . " " What ? " " Nothing , nothing , nevermind ! " But Dean ’s estimation was to not wire it , because then masses will just be waiting for it . He thought we should just let everyone intend he ’s just this fearful robot and a killing political machine , and then surprise citizenry with it . That was Dean ’s melodic theme , and he really save the presentation of that concept . So we trimmed out the hints at the rootage that he was anything other than fearsome .
I think it was the correct choice , I mean , those first moment where you ’re like , " expect , what ’s his deal ? " are so special .
But I have to say , much of what is great about Dennis Caleb McCoy is the performance by Anthony Carrigan . I think the conception is on paper , of claiming he has a name , it ’s on the paper , but Anthony ’s performance was pure brainiac , in my opinion . It elevated it beyond what we ever expect . He also advert - libbed some great poppycock . One of my very favorite lines in the whole movie , and one of the fourth dimension when I spontaneously laughed viewing it … I do n’t laugh a fortune see poppycock I already know is fit to find . But one prison term where I ad lib laughed the first meter I envision it was when they ’re in Hell and Bill & Ted walk up to look out over the hellscape , and it ’s like , " What are we gon na do , dude ? " and then Dennis is like , " I know , dude ! " Whatever it is that he says there , that was an ad - lib from him . It just came out of the moment . We just crack up . It ’s one of those things where you almost destroy the take because it ’s so funny that you set forth laughing . multitude were laugh into their hired man and into their shirts , trying desperately to not ruin the whole take . And Anthony was full of those things . I ca n’t say enough good things about him . He was really fun to work with , and really open to try new poppycock lead and ripe and change it on the moment to adjudicate and keep making it funny . And he also was performing in 104 degree weather condition in whatever that automaton costume was made of ! It was incredibly difficult to put on and take off . I have to say , he ’s a pro , and a great summation to the picture show .
Next : Costume Designer Jennifer Starzyk Interview : Bill & Ted Face the Music
