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Adam Wingard is one of the leading figures in the independent repulsion revivification , a filmmaker whose unique take on generating scares earned him enough street cred to tackle mainstream dealership likeThe Blair Witch Projectand shortly , the cosmos ofKing KongandGodzilla . His much anticipatedGodzilla Vs . Kongis the closing of over a decade ’s worth of work in movie theatre .
This Tennessee aboriginal made his introduction with 2007’sHome Sick . Over a dozen feature film film and shorts later , Wingard stands alongside fellow moviemakers like Ti West and Amy Seimetz as primogenitor of a more lo - fi , stylistic brand of repugnance . Now that Wingard ’s name is impound to major blockbusters , there ’s no telling what ’s in entrepot for him next .
What Fun We Were Having (2011) - 3.7
What Fun We Were Havingplayed at the 2011 Fantasia Festival , but it was never picked up for extensive distribution . Told in four vignettes gear up on dissimilar vacation , the movie dole out with a very tender topic : intimate assault . As of now , there is no path to view the film .
Death Note (2017) - 4.5
Wingard ’s Netflix adaptation of Tsugumi Ohba and Takeshi Obata’sJapanese mangaDeath Noteis considered a total dud . This Americanized take maven Nat Wolff as Light Turner , a Seattle high schooler who becomes the owner of a supernatural notebook that cause the expiry of anyone whose name is write inside it .
While Wingard was praised for his artistic counsel , Death Noteattempts to condense too much of its source textile ’s heroic game into one feature - length film .
Autoerotic (2011) - 4.6
Co - directed with Joe Swanberg , Autoeroticdelves into psychological angst with this darkly comedic exploration of contemporary gender . Set in Chicago , it follow four couples struggling to make things work in the chamber .
Wingard and Swanberg both star in the film alongside Amy Seimetz , Kate Lyn Sheil , and Ti West .
The ABCs Of Death (2012) - 4.7
" Q is for Quack " is the rubric of Wingard ’s section in the anthology filmThe ABC’s of Death . It compromise 26 trunks about meet the Grim Reaper , and is directed by filmmakers from around the cosmos .
Wingard also stars in his short with atomic number 27 - director Simon Barrett . They play fictionalized version of themselves who resolve to shoot a real - life on - screen death in place of take a leak one up .
Home Sick (2007) - 4.8
repugnance ikon Bill Moseley plays a orphic man named Mr. Suitcase in Wingard ’s first characteristic picture . Mr. Suitcase attends a party in a small Alabama town , and his fellow attendees are allpreyed upon by a supernatural killer .
Comedic and crashing , Home Sickis far from a masterpiece , but it will keep gore - fiends think of with its sick special effects .
Blair Witch (2016) - 5.0
Marketed as a direct subsequence to 1999’sThe Blair Witch Project , Wingardflexes his found - footage muscleswithBlair Witch . James Allen McCune stars as James Donahue , the brother of Heather Donahue , the charwoman who disappeared in the first film .
With some of his college friends , James venture into Maryland ’s Black Hills Forest for answers . The result is a predictable horror movie that does petty to build up upon its herald . That being said , Blair Witchdid well in theaters .
A Horrible Way To Die (2010) - 5.2
One of Wingard ’s more intellectual films , A atrocious mode to Dieis anchor by an emotional functioning from Amy Seimetz , who Sarah , play the ex-husband - girlfriendof a serial killer whale . Sarah is a recovering souse who seems to be bugger off her life back in order of magnitude when her x - boyfriend escape cock from prison house — presumably to find her .
AJ Bowen and Joe Swanberg co - ace in what evidence to be a hunky-dory good example of avant - garde , psychoactive repugnance .
Pop Skull (2007) - 5.5
The second cinema directed by Wingard , Pop Skullisa metaphysical , drug - addle lookat the intimate workings of a troubled young gentleman’s gentleman named Jeff , played by Lane Hughes , a frequent collaborator of Wingard ’s . Jeff is reeling from a messy breakup while invite his fourth dimension in a theater occupied by traumatic memories .
Jeff ’s anguished psyche spill over onto the screen , figure by nightmarish situations and gamy delusions .
60 Seconds Of Solitude In Year Zero (2011) - 5.8
Anotheranthology film,60 Seconds of Solitude in Year Zerois an hour - long survey of short films about the death of cinema . Each minute - long entry diverge in musical note , manner , and message . Wingard ’s entry , " Ultra Modern , " is an observational , intimate montage featuring a male and distaff actor .
V/H/S (2012) - 5.8
Wingard played a big role in the development of theV / H / Santhology serial , which weaves together horror shorts presumably shot on VHS . Wingard and collaborator Simon Barrett wrote the frame story that connects each donation .
Entitled " Tape 56 , " Wingard ’s lapping level follows a criminal bunch who shoot their rascality . Their latest project sees them break into a house containing a large sum of money , where they stumble upon the videotape that make up the mass of the picture .
