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After a couple of years out from the spotlight , Oscar - win actress Natalie Portman is poised to return to the cinema this coming July inThor : Love and Thunder , reprize the mighty role of Jane Foster , which she also latterly played in a single sequence of the beloved Disney+ seriesWhat If … ?
No unknown to epic blockbuster and comic Bible film alike , Portman has also made a career out of working with some of the hunky-dory directors in Hollywood , delivering one terrific performance after another since making her screen debut in 1994 . WithLove and Thunderon the verge , it ’s time to see how Letterboxd find about Natalie Portman ’s filmography .
Jackie (2016) — 3.5/5
Directed with the same surreal , off - kelter vigour Pablo Larrain inject intoSpencer , Jackiefinds Natalie Portman give a convincingly loopy turn as Jackie Kennedy in the consequence of President John Kennedy ’s character assassination in 1963 . Haunting , lyric , and psychologically soul-stirring , the film earned Portman the third Oscar nod of her career .
The overpowering sense of brokenheartedness and loss Jackie feels is reflected in her growing gumption of isolation and insolation , as she recedes into her mind and return bittersweet memories with a whirlwind of emotion . As such , Portman also earned a BAFTA and SAG nomination .
Annihilation (2018) — 3.6/5
Alex Garland ’s cerebrally trippy sci - fi action - thrillerAnnihilationfinds Portman lead a scientific boot to find her escape married man , Kane ( Oscar Isaac ) , who disappeared in a cryptic catastrophe zone in which the laws of physics cease to be . Gallant yet vulnerable , Lena ( Portman ) must make the ultimate sacrifice to save her true love without compromising humans ’s hereafter .
With five potent female booster cable heading various scientific discipline , the movie is a force out celebration of female empowerment as well as a genuinely redoubtable warning tale of environmental protectionism . Portman ace her part as a baffled leader rupture between her chief ( system of logic ) and fondness ( emotion ) .
Mr. Gaga (2015) — 3.7/5
Thanks to her Oscar - winning performance inBlack Swan , Portman has the distinct qualifications to participate inMr . Gaga : A True Story ofLove and Dance . The infotainment celebrate the workplace of Ohad Naharin , a world - renowned drawing card of the Batsheva Dance Company .
Also a native Israelite , Portman has a alone linear perspective on the famous terpsichore choreographer and speaks candidly about the ways he inspired her and others like her to pursue dancing . Like Bob Fosse before him , Naharin is responsible for remold the language of mod dancing styles that directly benefitted Portman in Black Swan .
The Darjeeling Limited (2007) — 3.7/5
Despite come out in a abbreviated cameo , Wes Anderson’sThe Darjeeling Limitedis among Portman ’s good films , per Letterboxd . While Portman does reprise the role of Jack ’s ex - girl in the spinoff short filmHotel Chevalier , she hardly appear in the feature flick .
ArguablyWes Anderson ’s most underrated movieThe Darjeeling Limitedreunites three estranged , drug - addled brothers on a gear to meet their ailing female parent in India . As the three vow to reconnect on the problematic route head trip , Jack tries to resign with his nameless x . The film mark off the only metre Portman work out with Wes Anderson , who is presently finishing his new movieAsteroid Cityfor a 2022 release .
This Changes Everything (2018) — 3.8/5
The second documentary to slue , This Changes Everythingis a star - studded , long - overdue glimpse at the glaring gender gap in Hollywood , and the inequality women have faced for multiplication . Despite its high praise and good intentions , the hurtful satire that it was direct by a man was not lost on witness .
Still , Portman joins the likes of such influential voice as Reese Witherspoon , Shonda Rhimes , Meryl Streep , Sandra Oh , Tiffany Haddish , and many others who make a rousing call for action and wholesale systemic change to give women more creative opportunity .
V For Vendetta (2005) — 3.8/5
From thebrilliant movie minds of the Wachowski sisters , Portman seared the screen as Evey inV For Vendetta , a warning tale of dystopic fascism that palpate more salient by the passing solar day . Indeed , the prophetic picture imagines a future in which a extremely oppressive man government must be overthrown by a heroic vigilance man .
At first blush , Portman ’s Evey feels like an imprison damozel in distress with little agency . Over time , however , she proves just as capable if not more than V ( Hugo Weaving ) , her unconvincing confederate , as they work to restore power to the multitude . With mode and center in spade , here ’s go for Portman and the Wachowskis work together again in the time to come .
Avengers: Endgame (2019) — 3.9/5
It should storm nobody thatAvengers : Endgameis advert among Portman ’s most entertaining movies . The highest - grossing wonder movienetted more than $ 2.7 billion worldwide , mark one of the biggest cinematic event in moviegoing history . For her part , Portman reprised her role as Jane Foster in the subplot involving Thor and Asgard .
While she is just a small sprocket in a much larger megahit machine full of countless fictional character given a brief second to polish , Portman still land the same grade of committedness and believability as she does in a leading function star in every tantrum . bear more of the same inLoveand Thunder .
Leon (1994) — 4.1/5
Portman ’s feature film debut remains one of her most celebrated on Letterboxd and every other review collector . Despite recently speaking about the pain of being sexualized as a fry , Leon : The Professionalcontinues to be hailed as a touching and tender coming - of - eld story about a childlike assassinator and his adopted charge Mathilda ( Portman ) .
Written and directed by Luc Besson , Leon ( Jean Reno ) takes in Mathilda after her parents are killed and teaches her how to be a hitman while also learn caution of her . Portman gives a precociously impress good turn as a lost young miss apparently without hope , prepare a sound bond with an otherwise wintry killer in unexpected ways .
Black Swan (2010) — 4.1/5
A life - changing film in more ways than one , Black Swandeserves to be mentioned among Portman ’s o.k. motion picture to date . She not only earned Oscar atomic number 79 for her turn - de - military unit carrying into action , but she also met her eventual husband Benjamin Millepied while make the movie .
drop a line and target by Darren Aronofsky , Black Swantellsthe story of the modern - day fairytaleSwan Lakeas seen through the eye of Nina Sayers ( Portman ) , a demure ballerina who misplace her sense of indistinguishability when vie for the star persona at her field of operations company . In a evilly immersive performance , Portman plumbs the psychological depth of Nina while throw an electric forcible turn on the phase .
Heat (1995) — 4.2/5
According to Letterboxd , Natalie Portman ’s best pic to date isHeat , Michael Mann ’s epic Los Angeles crime fib infamous for pair Robert De Niro and Al Pacino in the same scene together for the first sentence . It ’s quite dumbfounding that Portman ’s first two feature of speech stay on among her three good films to date .
InHeat , Lt . Vincent Hanna ( Pacino ) is blistering on the trail of inaccessible bank robber Neil McCauley ( De Niro ) and his crew . In his downtime , Hanna cares for his mentally volatile stepdaughter Lauren Gustafson , who is played by Portman with heartbreaking pathos and a precociousness far beyond her years ( that bathtub scene is still frequent ) . That Portman goes toe - to - toe with Pacino as a 13 - year - old mouth volumes about her gift .
NEXT : All Of Michael Mann ’s Movies , Ranked Worst To good
