No Country for Old Men

The Coen Brother are two of the most revered directors working today and have been since bursting onto the indie scene with their low - budget neo - noir debut , descent Simple . In a life history spanning decade and featuring a fistful of near - perfect movies , the Coens ’ nifty cinema is arguablyNo Country for Old Men , their neo - western Oscar darling adapt from the Cormac McCarthy novel of the same name .

It tells a poignant story deserving telling with the economy of its source material and the unmistakable visual panache of its directors . No Countrybrings the Midwestern quirk of the Coens to McCarthy ’s brutal South . But the brother have made tidy sum of other masterpiece that giveNo Country for Old Mena run for its briefcase of stolen drug money .

No Country Is The Best: It’s Pure Genre Cinema, But Also Transcends Genre

Genre movies are quantifiably the most fun movies because the stock quality and high - stakes situations provide an escapist fantasy . ButNo Country for Old Menmanages to be a musical genre movie that also has realistic ingredient and focuses on the human side of its story .

No Countryhas been categorized as many different genre   — neo - westerly , neo - noir , even revulsion   — but it does n’t belong to one individual literary genre . It ’s a genre picture show , but it also transcends musical style and evolves into something all original .

Alternative: Miller’s Crossing

When the Coens took a stab at the gangster genre , they madea quintessentially Coens - ian gangster movie . Miller ’s Crossingfollows a turf war between two Prohibition - era offense syndicates through the eyes of enforcer Tom Reagan , who strain to play both sides and ends up getting screwed by both .

Barry Sonnenfeld ’s cinematography and Dennis Gassner ’s output plan bring the menstruum setting to life , while the Coens ’ script harks back to the classic writings of Dashiell Hammett .

No Country Is The Best: It Perfected The Cat-And-Mouse Thriller

FromHeattoThe FugitivetoThe part , the cat - and - mouse thriller is one playfulness subgenre . But those movies usually have a clearly - cut finish where the CT catches the mouse or the mouse outsmarts the cat . No Country for Old Mendoesn’t see things so pitch-dark - and - white .

The movie like an expert playact with narrative ambiguity as the cat baffle away with his homicidal violent disorder andthe black eye is killed by a different cat altogether , who goes unidentified . Llewelyn Moss is the quintessential “ human being who knew too much ” admirer ( or “ creep ” ) and Anton Chigurh is the quintessential ruthless violent death machine antagonist ( or “ cat ” ) .

Alternative: The Big Lebowski

Although some diehard Coens fan were disappointed by the zaniness ofThe Big Lebowskifollowing the somber , cerebral excellency of their previous movie , Fargo , the duet ’s Chandleresque stoner noir has since come to be appreciate as one of their finest whole works .

There ’s no other movie quite likeThe Big Lebowski , a kitty - addled lampoon of motion-picture show noir by agency ofone of the funniest comedies of all time , cast anchor by Jeff Bridges and John Goodmangiving iconic performances .

No Country Is The Best: The Acting Is Impeccable

Every cast member inNo Country for Old Mengives an intense , riveting functioning that immerses the audience in the bleak realness of the movie , make the violent events of the plot even more shocking because the whole matter feels bona fide .

Josh Brolin , Tommy Lee Jones , and Kelly Macdonald each give one of their all - clip fine performance in this movie , but the MVP is , of course , Javier Bardem asAnton Chigurh , the grievous , emotionless embodiment of violencewho ca n’t be stopped by Llewelyn Moss and ca n’t be understood by Sheriff Bell .

Alternative: A Serious Man

There ’s a delightfully scriptural timbre to the tragic story of Larry Gopnik inA Serious Man , whose tranquil suburban being comes crumbling down in spectacular fashion over the line of a very bad workweek .

The themes ofA Serious Mancould be analyzed for hebdomad , while its pitch - black   comedy is some of the   sharpest in the Coens ’ filmography .

No Country Is The Best: There’s A Hitchcockian Restraint Missing From Most Modern Thrillers

Most modern thrillers ca n’t await to throw their protagonist into a encounter with the villain to move along a generic three - act plot and establish their competition with ungainly expo . Hitchcock , the original of the thriller writing style , used a noteworthy sense of restraint that is entirely absent in a stack of today ’s U-boat - Psychothrillers .

InNo Country for Old Men , Llewelyn Moss and Anton Chigurh never do fount to face . When they ’re engaged in a firefight across a street , they never see each other ’s faces . The Coens use pernicious Hitchcockian techniques throughout the motion picture to masterfully build up suspense and tenseness .

Alternative: Raising Arizona

Nicolas Cage and Holly Hunter are fantastic in the Pb roles , bestow plenty of heart and humor to H.I. and Ed ’s attack to set forth an unconventional family .

No Country Is The Best: The Ending Doesn’t Satisfy Or Disappoint

The final view ofNo Country for Old Mendoesn’t see Sheriff Bell arresting Chigurh or Llewelyn ’s killers being divulge . Instead , Bell just lives on , unable to excuse the fearsome thing he witnessed when Chigurh came to town .

The unresolved finish does n’t disappoint the audience , because Bell ’s final meditation state them that not getting a satisfying , all the way - cut ending that fix the plot is exactly the stage : the movie is about the relentlessness and inexplicability of vehemence .

Alternative: Fargo

Frances McDormand plays possibly the peachy cop character ever created inFargo , a meaning police chief who brings extorters and killers to Justice Department with the use of her fact-finding skills and quick wit as opposed to Hollywood ’s standard excessive force out .

From Roger Deakins ’ bleak snowbound cinematography to Carter Burwell ’s stalk score to the endless shocking secret plan bend in the Coens ’ script , Fargois everything a movie should be .

NEXT : Coen Brothers : 5 Ways No Country For Old Men Is Their Best Crime Movie ( & 5 Fargo Is A Close moment )

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Coens movies - featured image

Anton Chigurh (Javier Bardem) aiming a shotgun in No Country for Old Men

A mob hit in the woods in Miller’s Crossing

Josh Brolin wearing a cowboy hat in No Country for Old Men

Jeff Bridges lying on a rug in The Big Lebowski

Javier Bardem as hitman Anton Chigurh in No Country for Old Men

Michael Stuhlbarg As Larry Gopnik looking confused in A Serious Man.

Josh Brolin and Kelly Macdonald in No Country for Old Men

Hi and Ed in Raising Arizona

Tommy Lee Jones looking sad while remembering his dreams in No Country for Old Men

Frances McDormand holding a gun in the snow in Fargo

Movies

No Country for Old Men