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Back in 2002 , Sam Raimi ’s originalSpider - Manmovie redefine the summer blockbuster and took the superhero genre into the box office stratosphere . The influence ofSpider - Mancan still be felt in today ’s big - budget filmmaking . Unsurprisingly , the firstSpider - Manmovie is still relevant after two decades .
Tobey Maguire ’s Peter Parker and Willem Dafoe ’s Norman Osborn remain so dear that they were recently dragged across the space - time continuum to take part in the multiversal shenanigans ofSpider - Man : No Way Home . Their first on - screen junket still holds up as an action - packed jewel .
Sam Raimi’s Visual Flair
Sam Raimi was primarily eff as a horror director before take on theSpider - Mantrilogy , but his superhero movies have just as much panache as his demonic possession movie . Raimi ’s tight - pace montages and originative prospect transition keep the firstSpider - Manfilm moving at a speedy pace .
Thanks to Raimi ’s ocular trend , there ’s never a dull moment inSpider - Man . Raimi test originally this year that he still has this familiar flair when he helmed the gonzo horror - tinged visuals ofDoctor Strange in the Multiverse of Madnessfor the MCU .
Willem Dafoe’s Sinister Turn As The Green Goblin
The Green Goblin watch in the originalSpider - Manmovie is permit down by a silly costume that looks more like a Power Ranger than a supervillain . ButWillem Dafoe ’s delightfully unnerving performancemore than make up for it .
Dafoe masterfully captures the Jekyll - and - Hyde duality of Norman Osborn and his moody one-half ( particularly in his conversation with himself in the mirror ) . As seen late inNo Way Home , Dafoe can still boom this character .
Uncle Ben’s Heartbreaking Death Scene
Raimi got the defining moment of Spidey ’s origin story just powerful . Uncle Ben ’s death scene in the original movie hit just as gruelling today , largely thanks to Cliff Robertson ’s brawny performance .
This scene sport the timeless wiseness that Peter Parker experience by , fork out perfectly by Robertson : “ With neat major power comes not bad responsibility . ”
The Groundbreaking Visual Effects
CGI had been around for about a decade when Raimi contribute Spidey ’s crimefighting caper to the big screen . But the liquid metal ofT2and the dinosaurs ofJurassic Parkwalked so thatthe webslinging ofSpider - Mancould track down .
The innovational optic effects in the firstSpider - Manmovie – especially when Spidey is swinging through the street of New York – still see great today .
The Voiceover Narration
In the comic strip , think bubbles are a immense part of Spidey ’s characterization . Whenever he require to go through some stuff or figure out a case , he rambles on and on in the form of thought bubbles .
Raimi made smart as a whip use of voiceover narration to put those remember bubbles on - cover . Tom Holland ’s movies ground a dissimilar way to see the thought bubbles ; Tony Stark put an A.I. in his high - tech suit that he can converse with .
J.K. Simmons’ Hysterical Performance As J. Jonah Jameson
Nobody else could ’ve played the hot - headed editor of the Daily Bugle anywhere nearas effectively as J.K. Simmons . Simmons was so double-dyed for the role of J. Jonah Jameson that he ’s since been remodel across cinematic universes .
In the MCU , Jameson was updated as an InfoWars - flair confederacy theory podcaster . But the Raimi trilogy still has the quintessential take on the type : a cigar - chomping newspaperman give chase up eye - catching headline .
The Brutality Of The Fight Scenes
A tidy sum of conflict scenes in modern mirthful playscript megahit feel too safe and weightless to make an impact . The vicious fighting scenes in the originalSpider - Manmovie are refreshingly intuitive .
The audience feel every punch , especially in the climactic showdown between Spider - Man and the Goblin . Spidey ’s suit gets ripped to shreds and his face is covered in blood .
Spidey’s Iconic Upside-Down Kiss With Mary Jane
The love stories in superhero film tend to be forgettable , either because the amatory interest is one - dimensional or because the whole matter is sideline in a set up - on subplot .
But audiences still remember Peter Parker ’s vain wooing of Mary Jane Watson from the firstSpider - Manmovie . The upside - down candy kiss in the rainfall holds up as one of the most passionate romantic moments in the history of the genre .
Danny Elfman’s Sweeping Score
Catchy , recognizable movie themes are becoming a thing of the past . This has been a common criticism of the MCU in particular . Outside of Alan Silvestri’sAvengerstheme and Michael Giacchino ’s orchestral rearrangement of the theme tune from theSpider - Mananimated series , the MCU does n’t have a lot of hummable euphony .
In a universe where most blockbuster music fall into the trappings of a generic house style , Danny Elfman’sSpider - Manscore stands out more than ever . Famed for his “ oom - pah ” mode of music , Elfman never strike into generic territory .
Tobey Maguire’s Definitive Portrayal Of Peter Parker
In the age since Maguire ab initio part from the part , Spider - Man has been toy spectacularly by both Andrew Garfield and Tom Holland . ButTobey Maguire ’s performance in the Raimi trilogyis still the quintessential portrayal of Peter Parker .
Maguire superintend the balancing enactment of being authentically awkward and dorky while still capturing Peter ’s nobility and unwavering purpose to do the good matter ( even though he ’s rarely rewarded for it and is or else often penalize for it ) .
NEXT:10 Ways Sam Raimi ’s Spider - Man 2 Is The Definitive Spidey Movie
