Oldboy
Korean moviesBrokerandDecision to Leavehave sweep two major honor at this year ’s Cannes Film Festival , reflecting an ever - raise quality in motion-picture show issue forth from South Korea and their increasing international recognition . WhileParasite ’s Best Picture profits at the Oscar present the relevancy of Korean cinema to a much wider interview , there are tidy sum of other relevant classics worth the sentinel .
From popular names such as Bong Joon - ho and Park Chan - wook to indie director , Korean movie theater has its own captivating style and offer many insightful stories that cross language and cultural barriers , or expand them . According to film lovers casting vote onRanker , there are certain rubric that merit the accolade of the best Korean movies of all sentence .
Note : Ranker lists are live and continue to accrue votes , so some rankings may have modify after this publishing .
Miracle in Cell No. 7 (2013)
revolutionise a democratic Netflix remaking in 2019,Miracle in Cell No . 7is a heart - warm floor about a humankind with an rational disability wrongfully impeach of murder and his moving kinship with his 6 - year - old girl .
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This is the kind of lighthearted movie that can make anyone laugh and cry with the same intensity . Different from the remake , it ’s a much more in force emotional curler - coaster because of the awful study of the ensemble cast , ensuring that every character is unique and suspect in their own way . And of course of action , the forefather - and - son kinship carries the picture show in a dear fashion .
A Tale of Two Sisters (2003)
Horror movie rarely captivate large interview , butA Tale of Two Sistershas a strong psychological appeal to it . The film follows a family unit ghost by a tragic past times , as a recently released patient from a mental psychiatric hospital returns home with her sister and suspects her stepmother has a connexion with disturb events taking place in their family .
extremely influential in the 2000s and even inspiring an American remaking , A Tale of Two Sistersuses ghosts and haunted houses to portray the decay image of a family falling apart , with a powerful plait that will judder the TV audience at the close .
The Wailing (2016)
One of the most innovative horror film of the past eld , The Wailingoffers a little piece of everything : curses , rituals , demons , brute violence , blood , and a well - build psychological thriller . Violent murders and occurrences of a mysterious disease start to take piazza in a low Korean village after the reaching of a stranger , and an unprepared police officer is draw into the center of it for lay aside his girl from a ugly fate .
The Wailingoffers a situated ofoverlooked monster and entity that more masses should talk about , addressing Asian folklore in a terrifying way and blending it masterfully into a chilling psychologically - intemperate standard atmosphere .
Burning (2018)
Burningis an ambiguous masterpiece that counts on the viewers to make out up with their own conclusion about the tale . After Jong - su bumps into a girlfriend who used to live in his neighborhood , they have a quick fling , and she enquire him to await after her guy while she ’s on a trip-up to Africa . She returns play along by a mystic guy she meet there , Ben , who harbor a peculiar secret .
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Burningalternates between drama and suspense , tricking the consultation by show thing from the view of an undependable protagonist . Ben looks like a suspicious individual , but he ’s never actually caught doing anything wrong . The orphic narrative is pernicious in the social commentary but also offer an insightful give-and-take on the objectification of desire and course of instruction consciousness .
The Handmaiden (2016)
The Handmaidenis study one of thebest LGBTQ+ thrillers of all time , and Park Chan - wook is one of the few virile theater director out there capable of write female characters in such an effective way . The film come a woman hired as a servant to a Japanese heiress and to put into practice a plot to defraud her . Everything seems to be start as plan until the two women discover unexpected emotions .
The Handmaidenrushes off from any meretricious ending and never fails to surprise with its countless narration twists , leaving the viewers disoriented in a satisfying manner .
I Saw the Devil (2010)
I Saw the Devilisn’t only one of the in effect Korean movies ever made but also one of the most violent . It follow a particular factor who engages in a game of cat and sneak with the serial slayer who killed his wife , in a fell architectural plan of revenge where he must become a fell monster himself .
The offscreen force is as terrifying as what is presented onscreen , andI Saw The Devilpresents such a hopeless fate to all case that itends up becoming an anti - revenge movie , in a scenario where the search for retaliation dehumanise the hero .
Mother (2009)
direct by Bong Joon - ho , the movie follow a female parent desperately search for the killer who framed her son for a girl ’s fearsome slaying . With one unforgettable performance by Kim Hye - ja , Motherpresents an in - profundity meditation on the flat sexual love between parent and child .
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The movie is much more than a simple crime thriller of guilty - or - not , working also as an across-the-board psychological study . While not pernicious in its weighty stem , Mothermanages to storm without overlay the nuanced narrative with unneeded shocks , rise that Bong Joon - ho have it off precisely where the thriller must come to a halt to give outer space to drama .
Parasite (2019)
Still one of the most pop film in late retentivity , Parasiteis a great representative of aforeign movie that became a massive smash in America , earning the Best Picture Academy Award in 2020 . faultless in expert aspects and full of powerful twists , the movie is a precise speculation on socio-economic class secernment and the overpowering capitalist subjugation from the due west .
Even thoughParasiteoffers important social commentary , it still manages to present a story made for all interview , with a compelling narrative that play with funniness and drama before establishing an intriguing thriller ambience .
Memories of Murder (2003)
The third Bong Joon - ho motion-picture show in Ranker ’s top 10 is one of his first movies and became a Greco-Roman offense thriller . Based on the real account behind South Korea ’s first sequential cause of death , Memories of Murderis pose in a small Korean province in 1986 , as two unprepared detectives struggle to find the responsible for the death of multiple young women in the field .
The moving picture follows the hopeless investigation and showcase ’s the technological limitations that held the face back and ultimately go out the tec on the verge of hydrophobia . The drama is extremely well executed and balanced with the thrilling probe that seems to be go nowhere , which contribute the people affect in the case to act recklessly in the thoroughgoing search for answers .
Oldboy (2003)
Another Park Chan - wook masterpiece , Oldboyis known as one of the most disturbing movies ever made . With no hint how he do to be imprisoned , drugged , and rack for 15 days , a do-or-die businessman seeks revenge on his captors number with the help of a young lady .
The puzzling story is highly immersive and the truth is unraveled in a trigger-happy way ; while the mystery lingers throughout the movie , there ’s a bonny amount of action scene that keep the taradiddle go in an enegertic , anxiety - inducing means . And of course , when it come toOldboy , it ’s unimaginable not to mention the ending as it present one of the most loathsome patch pull of the 2000s .
Next : The 10 Best Korean Horror Movies , accord To IMDB
