The Dark Knight
Christopher Nolan is such a hard - working music director that he ’s known to land movies in under budget and well within their deadlines , and according to Anne Hathaway , that ’s becausehe has a " no chairs " formula . However , other reports explain he ’s nowhere near as strict or self - regulated .
On the first four days of shootingThe Dark Knight , Nolan did nothing of the variety , and according toWhat Culture , the managing director put the cast and crew in a sort of moving-picture show boot camp . The filmmaker screen two movies per daytime for four sidereal day , and they were anything from 1940s classics to his own movies . And though the moving picture are massively varied and tonally dissimilar , their influence onThe Dark Knightis clear in the final cut of the 2008 superhero picture .
Heat (1995)
From the very opening shaft ofThe Dark Knight , Heat’sinfluence on the Batman movie is cleared as daytime . The opening chronological sequence of the 2008 movie ensure the Joker and his goons keep an eye on through on an elaborate bank rip-off that run low off without a halt , and it ’s in a flash familiar , being a possible homage toHeat .
The 1995 Michael Man - maneuver crime drama is an epic heist movie and one of thebest cat - and - black eye following thrillersever made . And just like Batman and the Joker , Neil and Vincent have so many similarities , and it ’s only their morals or deficiency thereof that break up them .
Citizen Kane (1941)
Anybody would be hard - press to confound a stone in Hollywood and strike someone who is n’t animate byCitizen Kane , and it’sMartin Scorsese ’s favourite movietoo . Narratively , there are n’t many parallels between the two movies , only that Charles Foster Kane has a huge influence on the public and is trying to clean up society , just like Harvey Dent .
But whether it ’s the filming , directing , acting , music , or any other element of the celluloid , any one part of the filmmaking appendage can find influence in the 1941 classic . The pic , which succeed the conflicting stories of a publishing tycoon ’s life , started contemporary celluloid as audiences know it today . And despite being over 80 age erstwhile , the motion picture not only holds up , but it ’s a timeless classic .
King Kong (1933)
The connexion betweenKing KongandThe Dark Knightisn’t instantly obvious , and the comparison might be a bit of a reaching . ButThe Dark Knightdeals with the Joker feeling like he does n’t fit in and that people are frightened of him just because of his appearance , and that ’s pretty exchangeable to Kong ’s narrative .
And when depend at how both characters light to their last at the close of the moving picture ( though Joker eventually gets pull through , ) the idea that Nolan is comparing the clown prince of offense to the giant gorilla makes a lot more sense . However , where audiences are empathizing with King Kong every whole tone of the way , not one viewer has any compunction forThe Dark Knight’sJoker .
Stalag 17 (1953)
Stalag 17comes from the mind of Billy Wilder , who was such a diverse and fecund director in the 1950s . The filmmaker could shoot anything from a Marilyn Monroe - star romanticistic drollery to a mortifying War dramatic event , and they ’d both be the gold standard of their literary genre .
Stalag 17fits into the latter , as it ’s based in a German Prisoner of War camp in 1944 . The film follows a chemical group of prisoner who intend there ’s a German undercover agent in the group . Its influence onThe Dark Knightisn’t decipherable , but it could be that Nolan screened it simply because he ’s a lover of the movie . However , it could also have been to get into the mind of a prisoner of war , as some theorize thatthe Joker is actually a state of war veteran .
Black Sunday (1977)
Of all of the traumatizing movies about Vietnam War veteran who have PTSD , Black Sundayis one of the most underrated and shocking of them all . The movie follows the war vet who team up with terrorists to flunk the Super Bowl .
As Nolan is such a big fan of the 1977 movie , it would n’t be surprising if it was Black Sunday that breathe in the scene where Bane blows up the football stadium inThe Dark Knight Rises . The two story are too similar for that not to be the case . On top of that , it also once again pay off credence to the theory that the Joker has PTSD too .
A Clockwork Orange (1971)
If there ’s a common theme amongst these movies , it ’s that there ’s a reference who is mostly red and unpredictable . That ’s the case withBlack Sunday , Heat , andStalag 17 , andA Clockwork Orangeis the good example of that .
The moving-picture show follow Alex DeLarge , a violent , despicable rapist who has so much control condition over his droogs and sadistically even turn on his own human beings , just like the Joker does throughout the whole ofThe Dark Knight . On top of that , Alex ’s sinister grin must have influenced Heath Ledger to some extent , as the Joker ’s smirk is almost indistinguishable .
Cat People (1942)
As was the case with Stalag 17 , Cat People is a uncanny movie to show the casting ofThe Dark Knight . It’d make more sentiency for Nolan to screenCat Peopleduring the output ofThe Dark Knight Risesthan anything else . After all , the 1942 movie is a gothic pic about a woman who thinks she ’s a hombre .
give that Batman is inherently gothic andCat Peopleis one ofthe most aesthetically gothic moviesever made , Nolan could have been block out it to the casting and work party to help oneself them understand the flavour he ’s going for . But even , then it ’s still a very unknown movie alternative for Nolan to show , as the provocative picture show see a woman believing she turns into a panther whenever she ’s turned on .
Batman Begins (2005)
It almost goes without say that Nolan screenedThe Dark Knight’spredecessor , Batman Begins , for the cast and gang , and it would n’t make much sentience if he did n’t . Even watching the movie today , it ’s hard to think that Nolan deplumate off such a dark and gritty reboot of the caped crusader so successfully .
What ’s more impressive is that Nolan did n’t even lean on the more popular villains in Batman ’s Rogue Gallery to guarantee its box office success . And that ’s what Warner Bros. so urgently needed after the fiscal failure ofBatman & Robin . The celluloid centre on Scarecrow and Ra ’s Al Ghul , two C - level villains that Nolan finagle to spin into fan favorites , and there was only the small pinch of the Joker justly at the final present moment of the flick .
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