Related
Alongside direct some of the most successful movies of the past few years , Joe and Anthony Russo also have an extensive catalog of successful motion-picture show that they produce , which many lover might not be aware of - in particular since most of them branch away from the duo ’s usual superhero genre .
The Russo Brothers ' newest project , a undercover agent thriller calledThe Gray Man , will be hitting Netflix soon - so now is as good a time as any to take a look through the duo ’s extensive collection of producedmovies , and hopefully unearth a few hidden gemstone .
A Merry Friggin' Christmas (2014) - 2.2
Directed by Tristam Shapeero , A Merry Friggin ' Christmasis undeniably one of the Russo Brothers ' infirm projection to date . Not only does it break down to capture that wizard vacation spirit that ’s so necessary for a Christmas moving-picture show to bring home the bacon , but it ’s also a weak technical travail with some strange storytelling decisions .
But that does n’t mean the pic is all bad - Robin Williams skin diametric Joel McHale in the lead function , and the two have great comedic chemistry together . They manage to keep spirits igniter when the film ’s script is lagging behind , which often keep it from calamity .
Cherry (2021) - 2.8
Probably the Russos ' most polarizing and controversial moving picture thus far , Cherrytells the story of a decorated soldier who take back from the state of war with crushing PTSD and an unhealthy habituation to drugs and criminal offence . It features one ofTom Holland ’s best movie performancesto date , but the story often crumbles under its own unnecessary complexity .
Cherrywas also the Russo Brothers ' first directorial outing since their success in the MCU , and their lack of studio apartment involvement really usher - for well or for worse . With nobody to constrain their artistic imagination , the film is full of unconventional shots and unearthly framing decisions that give the film a very unique tone .
21 Bridges (2019) - 3.0
Brian Kirk’s21 Bridgesfeatures one of the late Chadwick Boseman ’s last functioning on film , and it ’s a powerhouse part that really gives the actor plenty of stuff to work with . Kirk ’s directorial style internet with the Russos perfectly , make a fun minuscule action mechanism thriller , if nothing else .
The story might be fairly formulaic and predictable , but it ’s reasonably easy to get lost in this thrilling fib for two short hours thanks to its unrelenting chroma . It swash several memorable circle part , all of which are brought to life by Boseman ’s spell and personal magnetism .
Assassination Nation (2018) - 3.1
AlthoughAssassination Nationwas met with contradictory reviews , there ’s no deny that it ’s one of the Russos ' boldest and most daring labor . Directed byEuphoria ’s Sam Levinson and starring Odessa Young , Colman Domingo , and Hari Nef , the picture show pore around a dangerous high shoal scandal that puts a whole group of teenager at risk .
Like many of the Russos ' picture show , Assassination Nationis full of memorable moments and off-the-wall characters that keep it flirt with from start to finish . There is n’t a boring moment in the intact piece , which is all anyone can really ask for .
Extraction (2020) - 3.1
Chris Hemsworth shines in Sam Hargrave’sExtraction , which was hailed by many as one of the good action films of the past few years . It ’s improbably intense , with every shot feeling as though it was deal - crafted to extort as much tension and emotion out of the hearing as possible .
Despite the dizzying effects of its excessively dynamic cinematography , Extractionis still an highly fun cinema that represents everything the Russos excel at . swell storytelling , fun character work , and plenty of exciting action sequences makeExtractionone of the best Netflix Original Thrillers out there .
Relic (2020) - 3.2
Though it is n’t perfect , Relicis probably one of the most underrated films in the Russo Brothers ' filmography - purely because not enough masses have reckon ( or even know about ) it . This independent horror surveil the tale of a mother and daughter distich who discover that their female parent / grandmother has been pick out over by a dismal force .
Alongside some genuinely frightening and persistent scene , Relicboasts one ofthe dark and most tragical horror moving-picture show endingsthere is . It ’s a story that will stick with the audience long after it finishes , leaving them to meditate on its gothic themes and dark imagery .
Mosul (2019) - 3.3
Matthew Michael Carnahan’sMosultells the fib of a renegade police squadron who waged war on ISIS after they destroyed their hometown - and many of the people exist in it . It ’s both a electrifying action film and an arresting human drama , combine the violence of warfare with the humanity of those forced to hurt through it .
Carnahan does a great line directingMosul , truly making the audience feel as if they ’re right there in the middle of the carnage , which raise the stakes a great deal . It ’s a film that will genuinely change the watcher ’s linear perspective on war , sacrifice , and the fight for freedom .
Captive Audience: A Real American Horror Story (2022) - 3.4
One of the only documentaries under the Russo Brothers ' rap , Captive Audiencetells the shocking story of one 7 - year - honest-to-god boy ’s disappearance in California - and his children ’s mysterious discoveries fifty years later . It ’s one of the most electrifying true crime stories out there , brought to sprightliness by sharp counselling from Jessica Dimmock .
There ’s no denying the catastrophe of this unique tarradiddle , butCaptive Audiencealso does n’t shy away from just how misrepresented and unbelievable many of its gory details are . It ’s a real deep dive into this one human race ’s sprightliness , and the discoveries made along the style are truly unreal .
Everything Everywhere All At Once (2022) - 4.5
Not only isEverything Everywhere All At Oncebeing herald as one of the most pop films of 2022 , but Letterboxd users have also denounce the multiverse drollery as the 10th just narrative feature film of all clock time . The buzz surrounding A24 ’s latest film is incredible , and it marks a huge acquisition in the Russos ' filmography .
It ’s sincerely unbelievable that such a niche , independent celluloid likeEverything Everywherehas managed to meet up the popularity and acclaim that it has - peculiarly due to the lack of marketing and overwhelming reliance on word of mouth . But if anything , that just proves that the film ’s popularity is free-base on nothing more than character and merit .
NEXT:10 approaching Movies And boob tube Shows Coming From The Russo Brothers