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With a seemingly endless current of remaking and sequels , the 2000s was a moderately thudding decade to be a repulsion fan . Unless a given moviegoer got a kick out of the fall return of theSawfranchise , or watching Marcus Nispel ’s futile attempt to reiterate a story that Tobe Hooper already told absolutely the first time , there was n’t much to enjoy in the way of horror cinema .
But as always , a handful of great scarey motion picture were getting made . As long as there are consecrate filmmakers out there committed to their craft , there will always be a couple of repugnance classics dispatch theaters each class .
Orphan (2009)
Long before helmingRun All NightandThe Shallows , Jaume Collet - Serra directedOrphan , the story of a couple reeling from the spontaneous abortion of their child who espouse a mysterious nine - year - older daughter .
Vera Farmiga gives a riveting portrayal of the mother endeavor to figure out the foreign leaving - on that her novel child has work with her , while a new Isabelle Fuhrman gives a sinister performance as the titular orphan .
The Host (2006)
The repulsion picture palace of 2006 take sterile remake likeThe OmenandThe Hills Have eye , as well as pic with a ego - aware edge likeMonster HouseandSnakes on a Plane , butParasitedirector Bong Joon - hoprovided the music genre with one fresh gem : The Host .
Inspired by a taradiddle about a deformed Pisces the Fishes found in the Han River , the theater director made one of the most original and compelling giant movies in late computer memory , anchored by human eccentric with more depth than is ordinarily seen in the writing style .
Open Water (2003)
The shark inOpen Wateraren’t giant , bloody-minded monsters like the sharks inJawsorDeep Blue SeaorThe Meg , but that ’s exactly what reach them so terrifying .
The movie tells the true tale of a couple stranded at sea during a scuba trip , best estimated from what might ’ve happened , since they were never find .
American Psycho (2000)
adapt from Bret Easton Ellis ’ incisive satiric novel of the same name , American Psychotells the story of Patrick Bateman , a corporate highflyer who brutally murders people in his redundant time .
Christian Bale move over a truly ghost — and , at times , disturbingly uproarious — carrying out as Bateman , while director Mary Harron ’s equivocal grip on what is and is n’t really happeningkeeps the consultation guesswork .
Saw (2004)
James Wan proved that repugnance movies can be goryandsmart with his groundbreaking introduction , visualize . From the intriguing setup to the shocking revealing in its finis , Sawisa helluva horror flick .
While its subsequence focused too much on bloodshed and too little on plot of ground , the originalSawmovie is a brightly woven tapestry of terrifying storytelling .
The Others (2001)
Alejandro Amenábar ’s haunted house chillerThe Othersis proof that horror movies do n’t need R ratings or ghastly wildness to be scary . Within the confines of a PG-13 rating , Amenábar created a suitably creepy-crawly atmosphere .
Nicole Kidman give a engrossing performance in the lead role , the score is petrifying ( compose by Amenábar himself ) , and the movie builds masterfully toward its shameful twist ending .
28 Days Later (2002)
Danny Boyle refuses to call28 Days Latera zombi picture , but it has all the hallmarks of one , with the loudness ratchet way up . Just when zombies were becoming stale and intimate , Boyle made them sprinting maniacs .
Cillian Murphy wakes up in a hospital after going under the gas for routine operating room , only to find that most of humanity has been wiped out by virus - infected flesh - eaters in the close times .
REC (2007)
The “ find footage ” subgenre of horror has been the reservoir of some of the forged scarey movies ever made . But in the hands of dedicated film maker , it ’s also been the source of some of the best .
A meridian lesson isREC , shot from the perspective of a news crowd stuck in an apartment building with patient role zero of a zombi spirit virus . It becomes hauntingly apparent that they ’ve been quarantined in the building as necessary casualty of the containment — and that they wo n’t hold up the night .
Let The Right One In (2008)
Horror and romance do n’t always commingle well because one side usually dominates the story , but director Tomas Alfredson places the focus squarely on the relationship at the spunk ofLet the Right One In , so the horror and love affair arise naturally from a well - told tarradiddle .
The photographic film is about a strong-arm child and a lamia who originate a friendship , drawing parallel between their lives as outsiders .
The Descent (2005)
While the straight - to - life sentence terror ofWolf Creekwas the source of a slew of watchful night , 2005 ’s most haunting horror film was Neil Marshall’sThe Descent . It open with a group of friends going spelunk and getting trapped in a cave - in , which is shivery enough as it is .
But then they discover a slipstream of bloodthirsty , cave - dwelling variation that start pick them off one by one in increasingly gnarly mode . It ’s an intense ride that does n’t let up through its whole runtime .
NEXT : The Scariest Movie From Each yr In The 2010s , Ranked
